After the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self

This two-part dissertation seeks to explore various strategies in writing poetry on wartime trauma in English-speaking South-East Asia. It fits in with recent studies that examine poetry within the context of war. The study will draw largely on relevant ideas and strategies of Walter Benjamin, the p...

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Main Author: Valles, Eric Francis Tinsay
Other Authors: Boey Kim Cheng
Format: Thesis-Doctor of Philosophy
Language:English
Published: Nanyang Technological University 2021
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Online Access:https://hdl.handle.net/10356/147712
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Institution: Nanyang Technological University
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spelling sg-ntu-dr.10356-1477122023-03-11T20:16:14Z After the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self Valles, Eric Francis Tinsay Boey Kim Cheng School of Humanities kcboey@ntu.edu.sg Humanities::Literature This two-part dissertation seeks to explore various strategies in writing poetry on wartime trauma in English-speaking South-East Asia. It fits in with recent studies that examine poetry within the context of war. The study will draw largely on relevant ideas and strategies of Walter Benjamin, the proto-trauma critic, on epic writing, and other more contemporary critics on the poetry of witness. It argues that poetic genres that embrace hybridity with storytelling and empathetic appropriation can mediate experiences of traumatic conflicts, especially World War II. These genres, namely the long poem and the verse novel, also perform the act of witnessing against the objectification of the other. This study expands the scope of literary scholarship in the region to include trauma studies. It also shifts the focus of the latter away from an Anglo-European centre to include wartime Malaya. The creative writing section recreates the repetition of linguistic structures and imagery in trauma accounts in Bahau Quilt through the anima methodi poetic form in the protagonist Francisco “Chico” Pereira’s discourse. In his dying days, Chico recollects memories of his wife Lourdes, the suave but treacherous Formosan Lieutenant Lee Guo Zhi and the birth of one whom Chico considers as his own daughter, Christine. It is only after retelling their intertwining stories that he achieves healing and redemption. Christine, in turn, completes this task by including her mother Lourdes’s diary entries and Lieutenant Lee’s poems and letter in what constitutes a Bahau quilt. The creative writing section concludes with a recreation of trauma poems by Chico and Christine in After the Fall (dirges among ruins). Doctor of Philosophy 2021-04-12T13:24:48Z 2021-04-12T13:24:48Z 2020 Thesis-Doctor of Philosophy Valles, E. F. T. (2020). After the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/147712 https://hdl.handle.net/10356/147712 10.32657/10356/147712 en This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). application/pdf Nanyang Technological University
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language English
topic Humanities::Literature
spellingShingle Humanities::Literature
Valles, Eric Francis Tinsay
After the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self
description This two-part dissertation seeks to explore various strategies in writing poetry on wartime trauma in English-speaking South-East Asia. It fits in with recent studies that examine poetry within the context of war. The study will draw largely on relevant ideas and strategies of Walter Benjamin, the proto-trauma critic, on epic writing, and other more contemporary critics on the poetry of witness. It argues that poetic genres that embrace hybridity with storytelling and empathetic appropriation can mediate experiences of traumatic conflicts, especially World War II. These genres, namely the long poem and the verse novel, also perform the act of witnessing against the objectification of the other. This study expands the scope of literary scholarship in the region to include trauma studies. It also shifts the focus of the latter away from an Anglo-European centre to include wartime Malaya. The creative writing section recreates the repetition of linguistic structures and imagery in trauma accounts in Bahau Quilt through the anima methodi poetic form in the protagonist Francisco “Chico” Pereira’s discourse. In his dying days, Chico recollects memories of his wife Lourdes, the suave but treacherous Formosan Lieutenant Lee Guo Zhi and the birth of one whom Chico considers as his own daughter, Christine. It is only after retelling their intertwining stories that he achieves healing and redemption. Christine, in turn, completes this task by including her mother Lourdes’s diary entries and Lieutenant Lee’s poems and letter in what constitutes a Bahau quilt. The creative writing section concludes with a recreation of trauma poems by Chico and Christine in After the Fall (dirges among ruins).
author2 Boey Kim Cheng
author_facet Boey Kim Cheng
Valles, Eric Francis Tinsay
format Thesis-Doctor of Philosophy
author Valles, Eric Francis Tinsay
author_sort Valles, Eric Francis Tinsay
title After the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self
title_short After the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self
title_full After the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self
title_fullStr After the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self
title_full_unstemmed After the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self
title_sort after the fall (dirges among ruins) and bahau quilt : confessing and unweaving the self
publisher Nanyang Technological University
publishDate 2021
url https://hdl.handle.net/10356/147712
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