The Wollstonecraft Statue at Newington Green (Review)
The Wollstonecraft Statue at Newington Green reifies in many ways the unresolved painful issue of disempowerment with which the history of the female nude is im-bued, making it all but impossible to see it in any other way. This representation is in spite of the driving force of the statue’s campaig...
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Article |
| Language: | English |
| Published: |
2021
|
| Subjects: | |
| Online Access: | https://hdl.handle.net/10356/148569 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Institution: | Nanyang Technological University |
| Language: | English |
| id |
sg-ntu-dr.10356-148569 |
|---|---|
| record_format |
dspace |
| spelling |
sg-ntu-dr.10356-1485692021-05-19T20:10:46Z The Wollstonecraft Statue at Newington Green (Review) Miriam Al Jamil School of Humanities Humanities::Literature::English The Wollstonecraft Statue at Newington Green reifies in many ways the unresolved painful issue of disempowerment with which the history of the female nude is im-bued, making it all but impossible to see it in any other way. This representation is in spite of the driving force of the statue’s campaign, which is stated in the artist Maggi Ham-bling’s description of its meaning and fortified by the historical revisionist approaches of feminist art that interrogate Kenneth Clark’s The Nude: A Study of Ideal Art (1956)—such as work produced by Griselda Pollock and Lynda Nead. Published version 2021-05-14T06:02:30Z 2021-05-14T06:02:30Z 2021 Journal Article Miriam Al Jamil (2021). The Wollstonecraft Statue at Newington Green (Review). Studies in Religion and the Enlightenment, 2(2), 58-58. https://dx.doi.org/10.32655/srej.2021.2.2.19 2661-3336 https://hdl.handle.net/10356/148569 10.32655/srej.2021.2.2.19 2 2 58 58 en Studies in Religion and the Enlightenment © 2021 Nanyang Technological University, Singapore, & the Brigham Young University Faculty Publishing Service. application/pdf |
| institution |
Nanyang Technological University |
| building |
NTU Library |
| continent |
Asia |
| country |
Singapore Singapore |
| content_provider |
NTU Library |
| collection |
DR-NTU |
| language |
English |
| topic |
Humanities::Literature::English |
| spellingShingle |
Humanities::Literature::English Miriam Al Jamil The Wollstonecraft Statue at Newington Green (Review) |
| description |
The Wollstonecraft Statue at Newington Green reifies in many ways the unresolved painful issue of disempowerment with which the history of the female nude is im-bued, making it all but impossible to see it in any other way. This representation is in spite of the driving force of the statue’s campaign, which is stated in the artist Maggi Ham-bling’s description of its meaning and fortified by the historical revisionist approaches of feminist art that interrogate Kenneth Clark’s The Nude: A Study of Ideal Art (1956)—such as work produced by Griselda Pollock and Lynda Nead. |
| author2 |
School of Humanities |
| author_facet |
School of Humanities Miriam Al Jamil |
| format |
Article |
| author |
Miriam Al Jamil |
| author_sort |
Miriam Al Jamil |
| title |
The Wollstonecraft Statue at Newington Green (Review) |
| title_short |
The Wollstonecraft Statue at Newington Green (Review) |
| title_full |
The Wollstonecraft Statue at Newington Green (Review) |
| title_fullStr |
The Wollstonecraft Statue at Newington Green (Review) |
| title_full_unstemmed |
The Wollstonecraft Statue at Newington Green (Review) |
| title_sort |
wollstonecraft statue at newington green (review) |
| publishDate |
2021 |
| url |
https://hdl.handle.net/10356/148569 |
| _version_ |
1701270598514114560 |