The introspective cinematographer's eye in the pieces we keep
This report is a documentation of the cinematographer's learning journey and a deeper look at the art of the cinematography in the film The Pieces We Keep. It explains his process and learning journey as the cinematographer from the development stage in pre-production to achieving the final loo...
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| Format: | Final Year Project |
| Language: | English |
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Nanyang Technological University
2021
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| Online Access: | https://hdl.handle.net/10356/149555 |
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sg-ntu-dr.10356-1495552023-03-11T19:50:30Z The introspective cinematographer's eye in the pieces we keep Fendi Yasuda Jamil Christoph Hahnheiser Marc Gloede School of Art, Design and Media c.hahnheiser@ntu.edu.sg, marc.gloede@ntu.edu.sg Visual arts and music::Film::Digital This report is a documentation of the cinematographer's learning journey and a deeper look at the art of the cinematography in the film The Pieces We Keep. It explains his process and learning journey as the cinematographer from the development stage in pre-production to achieving the final look in production and post-production. Bachelor of Fine Arts in Media Art 2021-06-03T01:14:51Z 2021-06-03T01:14:51Z 2021 Final Year Project (FYP) Fendi Yasuda Jamil (2021). The introspective cinematographer's eye in the pieces we keep. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/149555 https://hdl.handle.net/10356/149555 en application/pdf Nanyang Technological University |
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Nanyang Technological University |
| building |
NTU Library |
| continent |
Asia |
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Singapore Singapore |
| content_provider |
NTU Library |
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DR-NTU |
| language |
English |
| topic |
Visual arts and music::Film::Digital |
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Visual arts and music::Film::Digital Fendi Yasuda Jamil The introspective cinematographer's eye in the pieces we keep |
| description |
This report is a documentation of the cinematographer's learning journey and a deeper look at the art of the cinematography in the film The Pieces We Keep. It explains his process and learning journey as the cinematographer from the development stage in pre-production to achieving the final look in production and post-production. |
| author2 |
Christoph Hahnheiser |
| author_facet |
Christoph Hahnheiser Fendi Yasuda Jamil |
| format |
Final Year Project |
| author |
Fendi Yasuda Jamil |
| author_sort |
Fendi Yasuda Jamil |
| title |
The introspective cinematographer's eye in the pieces we keep |
| title_short |
The introspective cinematographer's eye in the pieces we keep |
| title_full |
The introspective cinematographer's eye in the pieces we keep |
| title_fullStr |
The introspective cinematographer's eye in the pieces we keep |
| title_full_unstemmed |
The introspective cinematographer's eye in the pieces we keep |
| title_sort |
introspective cinematographer's eye in the pieces we keep |
| publisher |
Nanyang Technological University |
| publishDate |
2021 |
| url |
https://hdl.handle.net/10356/149555 |
| _version_ |
1761781983665455104 |