Contemplating Chineseness in 临摹 lapping emulations
临摹 (linmo) Lapping Emulations adopts a process-led investigation to articulate the nuances and complexities of an unstable and protean cultural identity. Ruminating upon my lived experience as part of the Chinese diaspora in Singapore, I begin to conjure new manners of image-making, which include im...
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Nanyang Technological University
2021
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sg-ntu-dr.10356-1497832023-03-11T19:52:52Z Contemplating Chineseness in 临摹 lapping emulations Hong, Shu-ying Ang Song Nian School of Art, Design and Media SNAng@ntu.edu.sg Visual arts and music::Visual arts Visual arts and music::Photography 临摹 (linmo) Lapping Emulations adopts a process-led investigation to articulate the nuances and complexities of an unstable and protean cultural identity. Ruminating upon my lived experience as part of the Chinese diaspora in Singapore, I begin to conjure new manners of image-making, which include improvised darkroom techniques, as well as photographic and editing experimentations. The adapted techniques seek to encapsulate the unpredictability and fluidity of identity negotiation and extension. Concurrently, such reflections are continually challenged and clarified by my research on the Chinese diaspora, history and culture in Singapore. Thus, I propose that Chineseness is an aggregate of cultural subjectivities and by-product of human sociality. Bachelor of Fine Arts in Media Art 2021-06-09T12:11:06Z 2021-06-09T12:11:06Z 2021 Final Year Project (FYP) Hong, S. (2021). Contemplating Chineseness in 临摹 lapping emulations. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/149783 https://hdl.handle.net/10356/149783 en application/pdf Nanyang Technological University |
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Visual arts and music::Visual arts Visual arts and music::Photography Hong, Shu-ying Contemplating Chineseness in 临摹 lapping emulations |
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临摹 (linmo) Lapping Emulations adopts a process-led investigation to articulate the nuances and complexities of an unstable and protean cultural identity. Ruminating upon my lived experience as part of the Chinese diaspora in Singapore, I begin to conjure new manners of image-making, which include improvised darkroom techniques, as well as photographic and editing experimentations. The adapted techniques seek to encapsulate the unpredictability and fluidity of identity negotiation and extension. Concurrently, such reflections are continually challenged and clarified by my research on the Chinese diaspora, history and culture in Singapore. Thus, I propose that Chineseness is an aggregate of cultural subjectivities and by-product of human sociality. |
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Ang Song Nian |
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Ang Song Nian Hong, Shu-ying |
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Final Year Project |
author |
Hong, Shu-ying |
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Hong, Shu-ying |
title |
Contemplating Chineseness in 临摹 lapping emulations |
title_short |
Contemplating Chineseness in 临摹 lapping emulations |
title_full |
Contemplating Chineseness in 临摹 lapping emulations |
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Contemplating Chineseness in 临摹 lapping emulations |
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Contemplating Chineseness in 临摹 lapping emulations |
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contemplating chineseness in 临摹 lapping emulations |
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Nanyang Technological University |
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2021 |
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https://hdl.handle.net/10356/149783 |
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1761781295072935936 |