The discourse of tradition and modernity in contemporary Indian culture
This paper examines the binary between tradition and modernity in contemporary India through the use of film. It focuses specifically on the Hindu/Indian woman, and the way in which this discourse plays out on her body. I argue that the Victorian morality that the British colonisers of India imposed...
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2009
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sg-ntu-dr.10356-152192019-12-10T12:03:27Z The discourse of tradition and modernity in contemporary Indian culture Ahuja Richa Brian Keith Bergen-Aurand School of Humanities and Social Sciences DRNTU::Social sciences::Sociology::Communities, classes and races This paper examines the binary between tradition and modernity in contemporary India through the use of film. It focuses specifically on the Hindu/Indian woman, and the way in which this discourse plays out on her body. I argue that the Victorian morality that the British colonisers of India imposed on their colonised subjects has affected the way in which tradition and modernity are viewed in contemporary India, and because of this influence, the historical concepts of tradition and modernity have been skewed. In this paper, I argue that the binary between tradition and modernity does not exist in the context of the Hindu/Indian society, but rather, the Indian society has come to appropriate these concepts to suit their culture. Bachelor of Arts 2009-04-13T06:40:33Z 2009-04-13T06:40:33Z 2009 2009 Final Year Project (FYP) http://hdl.handle.net/10356/15219 en Nanyang Technological University 31 p. application/pdf |
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DRNTU::Social sciences::Sociology::Communities, classes and races Ahuja Richa The discourse of tradition and modernity in contemporary Indian culture |
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This paper examines the binary between tradition and modernity in contemporary India through the use of film. It focuses specifically on the Hindu/Indian woman, and the way in which this discourse plays out on her body. I argue that the Victorian morality that the British colonisers of India imposed on their colonised subjects has affected the way in which tradition and modernity are viewed in contemporary India, and because of this influence, the historical concepts of tradition and modernity have been skewed. In this paper, I argue that the binary between tradition and modernity does not exist in the context of the Hindu/Indian society, but rather, the Indian society has come to appropriate these concepts to suit their culture. |
author2 |
Brian Keith Bergen-Aurand |
author_facet |
Brian Keith Bergen-Aurand Ahuja Richa |
format |
Final Year Project |
author |
Ahuja Richa |
author_sort |
Ahuja Richa |
title |
The discourse of tradition and modernity in contemporary Indian culture |
title_short |
The discourse of tradition and modernity in contemporary Indian culture |
title_full |
The discourse of tradition and modernity in contemporary Indian culture |
title_fullStr |
The discourse of tradition and modernity in contemporary Indian culture |
title_full_unstemmed |
The discourse of tradition and modernity in contemporary Indian culture |
title_sort |
discourse of tradition and modernity in contemporary indian culture |
publishDate |
2009 |
url |
http://hdl.handle.net/10356/15219 |
_version_ |
1681049233569873920 |