Feminism in the vernacular : baihua writing, gender, and identity in late Qing China
This article explores the significant yet neglected role of women as active practitioners of baihua writing, a newly created vernacular journalistic style, in the context of nationalism in early twentieth-century China. While nationalist vernacular journalists of the time constructed baihua as a uti...
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sg-ntu-dr.10356-1553372022-03-18T01:25:49Z Feminism in the vernacular : baihua writing, gender, and identity in late Qing China Zhang, Yun School of Humanities Humanities::History Baihua Writing Female Citizen This article explores the significant yet neglected role of women as active practitioners of baihua writing, a newly created vernacular journalistic style, in the context of nationalism in early twentieth-century China. While nationalist vernacular journalists of the time constructed baihua as a utilitarian medium for nationalist propaganda and the lower classes, women vernacular writers appropriated this nationalism-inflected, class-based style as a new mode of vernacular writing aligned with progressiveness and their advocacy of feminism. Examining a group of feminist vernacular journalistic writings penned by Chinese female overseas students in Japan, this paper shows how these feminist vernacular journalists sought to develop baihua to empower their expression of feminism and to redress and transcend Chinese women’s subjugated feminine condition in the context of nationalism. Through this articulation of vernacular feminism, the feminist vernacular writers attempted to create a new national collective identity as actors of sociopolitical practice for Chinese women. 2022-03-18T01:25:49Z 2022-03-18T01:25:49Z 2020 Journal Article Zhang, Y. (2020). Feminism in the vernacular : baihua writing, gender, and identity in late Qing China. Twentieth-Century China, 45(1), 85-104. https://dx.doi.org/10.1353/tcc.2020.0009 1521-5385 https://hdl.handle.net/10356/155337 10.1353/tcc.2020.0009 2-s2.0-85078327447 1 45 85 104 en Twentieth-Century China © 2020 Twentieth Century China Journal, Inc. All rights reserved. |
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Humanities::History Baihua Writing Female Citizen Zhang, Yun Feminism in the vernacular : baihua writing, gender, and identity in late Qing China |
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This article explores the significant yet neglected role of women as active practitioners of baihua writing, a newly created vernacular journalistic style, in the context of nationalism in early twentieth-century China. While nationalist vernacular journalists of the time constructed baihua as a utilitarian medium for nationalist propaganda and the lower classes, women vernacular writers appropriated this nationalism-inflected, class-based style as a new mode of vernacular writing aligned with progressiveness and their advocacy of feminism. Examining a group of feminist vernacular journalistic writings penned by Chinese female overseas students in Japan, this paper shows how these feminist vernacular journalists sought to develop baihua to empower their expression of feminism and to redress and transcend Chinese women’s subjugated feminine condition in the context of nationalism. Through this articulation of vernacular feminism, the feminist vernacular writers attempted to create a new national collective identity as actors of sociopolitical practice for Chinese women. |
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School of Humanities |
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School of Humanities Zhang, Yun |
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Zhang, Yun |
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Zhang, Yun |
title |
Feminism in the vernacular : baihua writing, gender, and identity in late Qing China |
title_short |
Feminism in the vernacular : baihua writing, gender, and identity in late Qing China |
title_full |
Feminism in the vernacular : baihua writing, gender, and identity in late Qing China |
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Feminism in the vernacular : baihua writing, gender, and identity in late Qing China |
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Feminism in the vernacular : baihua writing, gender, and identity in late Qing China |
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feminism in the vernacular : baihua writing, gender, and identity in late qing china |
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2022 |
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https://hdl.handle.net/10356/155337 |
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