生态批评视阈下的中国生态纪录片《悲兮魔兽》《大路朝天》研究 = An ecocritical study of Chinese documentary films Behemoth and The Road

• Main Author: Hew, Cassandra Kha Woon
• Other Authors: Chu Kiu-wai
• Format: Final Year Project
• Language: Chinese
• Published: Nanyang Technological University 2022
• Subjects: Humanities::Language::Chinese
• Online Access: https://hdl.handle.net/10356/155685
• Institution: Nanyang Technological University

自 20 世纪末后期开始掀起一阵新的电影形式，称之为中国新生态电影，包括了纪 录片。这个浪潮的开端伴随的是人们对生态环境意识的加强，人类世的降临，人类为 了达到与时并进的目标，对自然万物进行一系列的征服行为，生态环境已在悄无声息 中遭受到了极大破坏和污染。生态纪录片作为一种媒介，不只为观众呈现生态环境的 奥秘与美丽，还有传播保护自然环境意识，对大众起着警示的作用。 因此，本文将从生态批评的视角，对两部皆讲述中国高度发展对人类和环境造成危 害为题材，且同于 2015 年上映的中国华语纪录片——赵亮《悲兮魔兽》和张赞波《大 路朝天》作为研究对象。首先，结合中西方生态哲学作为理论基础，通过电影视听语 言来探讨纪录片中呈现的生态问题是如何显示人类与自然之间‘互利’关系的演变， 以及人类与社会关系的异化，并对其中的生态问题进行反思与批评。 Since the late 20th century, a new form of cinema has emerged, called the Chinese Ecocinema, which includes documentaries. The beginning of this wave was accompanied by the strengthening of people's awareness of the ecological environment and the advent of the Anthropocene. In order to achieve the goal of keeping up with the times, human beings have carried out a series of conquests on all natural things, and the ecological environment has been greatly damaged and polluted in a silent manner. As a medium, ecocinema not only present the mystery and beauty of the ecological environment to the audience, but also spread the awareness of protecting the natural environment and serve as a warning to the public. Therefore, from an ecocritical perspective, this paper will examine two Chinese eco- documentary films, Zhao Liang's "Behemoth" and Zhang Zanbo's "The Road," both of which were released in 2015 and both of which are about the dangers of China's high development on human beings and the environment. Firstly, based on the comparative studies of Chinese and Western ecological philosophies, this paper discusses how the ecological issues presented in the documentaries show the evolution of the "mutually beneficial" relationship between human and nature, as well as the alienation of the relationship between human and society. Secondly, it proceeds to reflects on and criticizes the ecological problems therein through the audio-visual language of film.