二元之外 ：新加坡电影中的第三空间 = Transcending binaries : thirdspace in Singaporean cinema

• Main Author: 刘安淇 Low, Angie An Qi
• Other Authors: Quah Sy Ren
• Format: Final Year Project
• Language: Chinese
• Published: Nanyang Technological University 2022
• Subjects: Humanities::Language::Chinese
• Online Access: https://hdl.handle.net/10356/155720
• Institution: Nanyang Technological University

近年来，新加坡电影因在国际电影节和电影颁奖典礼中获得的成就备受关注。自90年代的“复兴”，新加坡电影都着重于对本地城市空间的刻画。然而，新加坡电影再现的空间却与主流媒体的刻画有着显著的差距，反映了国家建构的理想画面与社会真实样貌之间的矛盾。因此，本文提议重审空间在新加坡二元城市规划语境下的意义，并将其制度下被忽视的个人体验纳入讨论。通过爱德华·索亚的第三空间理论视角，本文希望探索新加坡电影再现的空间，以颠覆主流空间和社会二元对立框架，揭示空间的多元可能。 关键词： 新加坡电影 城市空间 空间 二元对立框架 第三空间 Singaporean films have come under the spotlight in recent years after garnering international acclaims at various film festivals and award ceremonies. Since its revival in the nineties, urban spaces have been the dominant form of the city-state’s cinematic portrayal within Singaporean Cinema. The representation of spaces in Singaporean films differs largely from the constructed images propagated on mainstream media, reflecting an incongruence between the state’s idealization and the ground’s phenomenon. This paper thus proposes to reassess spatiality within the context of Singapore’s urban planning that has been underscored by a dichotomized and deliberate regime, taking into consideration personal experiences negated by the state. In exploring the spaces depicted in Singaporean Cinema, through the lens of Edward Soja’s Thirdspace theory, this paper aims to subvert prevailing spatial and social binaries to uncover the spaces beyond. Keywords: Singaporean Cinema Urban Spaces Spatiality Binaries Thirdspace