Re-evaluating 'feminism' in the art practice of Amanda Heng from the 1990s to the present
This study is an urgent call to redress the conflicting definitions of ‘feminism’ in Singapore and its resulting effect in the study of the Singaporean artist Amanda Heng. It seeks to understand how certain labels – such as “feminist” – promote essentialist tendencies that ignore the diverse diff...
Saved in:
Main Author: | Chang, Natalie Min |
---|---|
Other Authors: | Marc Gloede |
Format: | Thesis-Master by Coursework |
Language: | English |
Published: |
Nanyang Technological University
2022
|
Subjects: | |
Online Access: | https://hdl.handle.net/10356/157106 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | Nanyang Technological University |
Language: | English |
Similar Items
-
Attestation before attention: unclaiming queer from Trương Tân's art (1990s-2010s)
by: Le, Ace Duc Phuong
Published: (2022) -
Exhibitions in the age of performance: reflecting on the performativity of art exhibitions in Singapore, 1996-present
by: Muhammad Ridzal Bin Abdul Hamid
Published: (2023) -
Houses of difference and glass: Dutch feminisms in the context of colonial exhibitions (1883–1898)
by: Schneeweisz, Damiët Etta Aleida
Published: (2022) -
Narratives and displays: a critical examination of cultural frames in exhibiting ‘Awakenings: Art in Society in Asia 1960s-1990s’
by: Kirk, Stephanie Morgan
Published: (2022) -
Criticality at the intersection of the curatorial and socially-engaged art practices in post-2000 Singapore
by: Juraimy Abu Bakar
Published: (2022)