A critical inquiry into public funding and intervention in socially engaged art in Singapore
The role of art in society is an ever evolving one. Taking the popularity of programming, process-driven and collaborative modes of artmaking in Socially Engaged Art (SEA) projects as a point of departure, this paper highlights some key historical developments of art intervening in Singapore soci...
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Nanyang Technological University
2022
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sg-ntu-dr.10356-1571092023-03-11T20:02:27Z A critical inquiry into public funding and intervention in socially engaged art in Singapore Li, Wanyu Laura Miotto School of Art, Design and Media laura.miotto@ntu.edu.sg Visual arts and music::Art museums and galleries The role of art in society is an ever evolving one. Taking the popularity of programming, process-driven and collaborative modes of artmaking in Socially Engaged Art (SEA) projects as a point of departure, this paper highlights some key historical developments of art intervening in Singapore society and analyses the artistic value of participatory projects using the critical discourse of Claire Bishop’s text Artificial Hells. Through two case studies, the paper examines how the repositioning of artistic value expands the social context of art in Singapore, and the contemporary condition of SEA projects in Singapore. Master of Arts (Museum Studies and Curatorial Practices) 2022-05-10T13:15:04Z 2022-05-10T13:15:04Z 2020 Thesis-Master by Coursework Li, W. (2020). A critical inquiry into public funding and intervention in socially engaged art in Singapore. Master's thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/157109 https://hdl.handle.net/10356/157109 en application/pdf Nanyang Technological University |
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Visual arts and music::Art museums and galleries |
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Visual arts and music::Art museums and galleries Li, Wanyu A critical inquiry into public funding and intervention in socially engaged art in Singapore |
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The role of art in society is an ever evolving one. Taking the popularity of programming,
process-driven and collaborative modes of artmaking in Socially Engaged Art (SEA)
projects as a point of departure, this paper highlights some key historical developments
of art intervening in Singapore society and analyses the artistic value of participatory
projects using the critical discourse of Claire Bishop’s text Artificial Hells. Through
two case studies, the paper examines how the repositioning of artistic value expands
the social context of art in Singapore, and the contemporary condition of SEA projects
in Singapore. |
author2 |
Laura Miotto |
author_facet |
Laura Miotto Li, Wanyu |
format |
Thesis-Master by Coursework |
author |
Li, Wanyu |
author_sort |
Li, Wanyu |
title |
A critical inquiry into public funding and intervention in socially engaged art in Singapore |
title_short |
A critical inquiry into public funding and intervention in socially engaged art in Singapore |
title_full |
A critical inquiry into public funding and intervention in socially engaged art in Singapore |
title_fullStr |
A critical inquiry into public funding and intervention in socially engaged art in Singapore |
title_full_unstemmed |
A critical inquiry into public funding and intervention in socially engaged art in Singapore |
title_sort |
critical inquiry into public funding and intervention in socially engaged art in singapore |
publisher |
Nanyang Technological University |
publishDate |
2022 |
url |
https://hdl.handle.net/10356/157109 |
_version_ |
1761781144303435776 |