A critical inquiry into public funding and intervention in socially engaged art in Singapore

The role of art in society is an ever evolving one. Taking the popularity of programming, process-driven and collaborative modes of artmaking in Socially Engaged Art (SEA) projects as a point of departure, this paper highlights some key historical developments of art intervening in Singapore soci...

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Main Author: Li, Wanyu
Other Authors: Laura Miotto
Format: Thesis-Master by Coursework
Language:English
Published: Nanyang Technological University 2022
Subjects:
Online Access:https://hdl.handle.net/10356/157109
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-1571092023-03-11T20:02:27Z A critical inquiry into public funding and intervention in socially engaged art in Singapore Li, Wanyu Laura Miotto School of Art, Design and Media laura.miotto@ntu.edu.sg Visual arts and music::Art museums and galleries The role of art in society is an ever evolving one. Taking the popularity of programming, process-driven and collaborative modes of artmaking in Socially Engaged Art (SEA) projects as a point of departure, this paper highlights some key historical developments of art intervening in Singapore society and analyses the artistic value of participatory projects using the critical discourse of Claire Bishop’s text Artificial Hells. Through two case studies, the paper examines how the repositioning of artistic value expands the social context of art in Singapore, and the contemporary condition of SEA projects in Singapore. Master of Arts (Museum Studies and Curatorial Practices) 2022-05-10T13:15:04Z 2022-05-10T13:15:04Z 2020 Thesis-Master by Coursework Li, W. (2020). A critical inquiry into public funding and intervention in socially engaged art in Singapore. Master's thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/157109 https://hdl.handle.net/10356/157109 en application/pdf Nanyang Technological University
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language English
topic Visual arts and music::Art museums and galleries
spellingShingle Visual arts and music::Art museums and galleries
Li, Wanyu
A critical inquiry into public funding and intervention in socially engaged art in Singapore
description The role of art in society is an ever evolving one. Taking the popularity of programming, process-driven and collaborative modes of artmaking in Socially Engaged Art (SEA) projects as a point of departure, this paper highlights some key historical developments of art intervening in Singapore society and analyses the artistic value of participatory projects using the critical discourse of Claire Bishop’s text Artificial Hells. Through two case studies, the paper examines how the repositioning of artistic value expands the social context of art in Singapore, and the contemporary condition of SEA projects in Singapore.
author2 Laura Miotto
author_facet Laura Miotto
Li, Wanyu
format Thesis-Master by Coursework
author Li, Wanyu
author_sort Li, Wanyu
title A critical inquiry into public funding and intervention in socially engaged art in Singapore
title_short A critical inquiry into public funding and intervention in socially engaged art in Singapore
title_full A critical inquiry into public funding and intervention in socially engaged art in Singapore
title_fullStr A critical inquiry into public funding and intervention in socially engaged art in Singapore
title_full_unstemmed A critical inquiry into public funding and intervention in socially engaged art in Singapore
title_sort critical inquiry into public funding and intervention in socially engaged art in singapore
publisher Nanyang Technological University
publishDate 2022
url https://hdl.handle.net/10356/157109
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