Raja sehari in the 21st century
Malay weddings are the embodiment of the Malay culture that embraces modernisation whilst still practicing traditions. The genesis of ‘Raja Sehari in the 21st century’ came from the motivation to highlight an appreciation for the diminishing traditional aesthetics within Singapore Malay matrimonial...
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Nanyang Technological University
2022
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sg-ntu-dr.10356-1587312023-03-11T19:59:10Z Raja sehari in the 21st century Zarinah Azman Yam Min Yee Angeline School of Art, Design and Media angeline_yam@ntu.edu.sg Visual arts and music::Art history Malay weddings are the embodiment of the Malay culture that embraces modernisation whilst still practicing traditions. The genesis of ‘Raja Sehari in the 21st century’ came from the motivation to highlight an appreciation for the diminishing traditional aesthetics within Singapore Malay matrimonial whilst injecting its rightful purpose and relevance back within current time. Traditionally, majority of the objects presented during Malay weddings hold deeper symbolic meanings. Over time, these items have lost its meanings along with the change of design and aesthetics, which results in plenty of Malay millennials dropping the tradition. Rather than simply ignoring and challenging modernisation, the project itself will take on the form of amalgamating these two concepts through the various research of past and current designs in Singaporean Malay weddings and conclusively will take the form of a collection of Malay Matrimonial designs. Ultimately, the project aims to allow the Malay millennials to relate better to their traditions and culture, which in turn provides the Malay community a chance to depart with wisdom of the Malay culture and hopefully a new found appreciation and understanding towards the meaning behind their culture's matrimonial objects. Bachelor of Fine Arts in Visual Communication 2022-06-07T02:30:34Z 2022-06-07T02:30:34Z 2022 Final Year Project (FYP) Zarinah Azman (2022). Raja sehari in the 21st century. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/158731 https://hdl.handle.net/10356/158731 en ADM18.22.U1830443K application/pdf Nanyang Technological University |
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Malay weddings are the embodiment of the Malay culture that embraces modernisation whilst still practicing traditions. The genesis of ‘Raja Sehari in the 21st century’ came from the motivation to highlight an appreciation for the diminishing traditional aesthetics within Singapore Malay matrimonial whilst injecting its rightful purpose and relevance back within current time. Traditionally, majority of the objects presented during Malay weddings hold deeper symbolic meanings. Over time, these items have lost its meanings along with the change of design and aesthetics, which results in plenty of Malay millennials dropping the tradition.
Rather than simply ignoring and challenging modernisation, the project itself will take on the form of amalgamating these two concepts through the various research of past and current designs in Singaporean Malay weddings and conclusively will take the form of a collection of Malay Matrimonial designs. Ultimately, the project aims to allow the Malay millennials to relate better to their traditions and culture, which in turn provides the Malay community a chance to depart with wisdom of the Malay culture and hopefully a new found appreciation and understanding towards the meaning behind their culture's matrimonial objects. |
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Yam Min Yee Angeline |
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Yam Min Yee Angeline Zarinah Azman |
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Final Year Project |
author |
Zarinah Azman |
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Zarinah Azman |
title |
Raja sehari in the 21st century |
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Raja sehari in the 21st century |
title_full |
Raja sehari in the 21st century |
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Raja sehari in the 21st century |
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Raja sehari in the 21st century |
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raja sehari in the 21st century |
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Nanyang Technological University |
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2022 |
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https://hdl.handle.net/10356/158731 |
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