台湾新移民女性对“家”的想象及其反抗意义 ——以纪录片《失婚记》和《神戏》为例 = Imagination of “home” and its resistance by Taiwan's female new immigrants —— a case study of “Out/Marriage” and “The Immortal’s Play”

• Main Author: 甄文迪 Chan, Wen Di
• Other Authors: Yeo Min Hui
• Format: Final Year Project
• Language: Chinese
• Published: Nanyang Technological University 2022
• Subjects: Humanities::Literature::Chinese
• Online Access: https://hdl.handle.net/10356/162158
• Institution: Nanyang Technological University

本文以“家”为主轴，探究当代纪录片——阮金红的《失婚记》和赖丽君、彭家如的《神戏》如何再现东南亚新移民女性在跨越边界所展演的多重身份，及对“家”的多重想象，并分析此类型的纪录片如何介入台湾当代社会文化论述。就空间而言，两部纪录片指向家内／外移动以及跨越家庭进入公共空间等不同的阶段与认同的形塑过程。首先，以影像为研究文本，本文将分别剖析两部纪录片中“家”的想象，并检视新移民女性与“家”的不同抵抗和协商策略。其次，透过议题处理，本文也将反思纪录片如何作为一种工具，得以藉由拍摄进而介入社会，挑战关于东南亚新移民女性的主流论述。 关键词：东南亚新移民 纪录片 越南新娘 台湾女性新移民 家 Focusing on the theme and representation of “home”, this thesis explores how the documentaries "Out/Marriage" and "The Immortal’s Play" adeptly potray the multiple identities of Southeast Asian female immigrants across borders, and analyzes how documentary-making intervenes in Taiwan's mainstream socio-cultural discourse. As far as space is concerned, the two documentaries point to different stages and identity shaping processes, such as moving inside/outside the family, and crossing from the private space of the family into the public space. Firstly, through film analysis, this thesis analyzes the imagination of “home” in the two documentaries, and examines the different resistance and negotiation strategies of new Southeast Asian female immigrants in Taiwan. Secondly, through thematic analysis, this thesis reflects upon how documentaries can be used as a tool to intervene in and challenge mainstream socio-cultural discourses. Keywords: Southeast-Asian Immigrants Documentaries Vietnamese-Brides Taiwan Female New Immigrants Home