对新加坡官方历史的反叛：黄凯德与《豹变》中的反乌托邦世界 = Rebellion to the scripting of Singapore National History: Wong Koi Tet and the Dystopian World in Black Panther
新加坡官方叙述下的历史夹杂着极强的政治目的。人民行动党将历史的塑造作为一种意识形态的建构，合法化一切的政治管控，局限人们看待历史的方式。新加坡作家黄凯德无惧国家主导的压迫性力量，在《豹变》中建构起反乌托邦世界，与新加坡官方历史的叙述形成对抗关系。通过反乌托邦理论，本文将探讨黄凯德如何在《豹变》中通过反乌托邦世界的建立，对新加坡官方历史作出多层面的反叛，打破人们以往看待历史的方式。The Singapore’s official discourse of history is highly politicised. The shaping of history is thus used as i...
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Final Year Project |
| Language: | Chinese |
| Published: |
Nanyang Technological University
2022
|
| Subjects: | |
| Online Access: | https://hdl.handle.net/10356/162190 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Institution: | Nanyang Technological University |
| Language: | Chinese |
| Summary: | 新加坡官方叙述下的历史夹杂着极强的政治目的。人民行动党将历史的塑造作为一种意识形态的建构，合法化一切的政治管控，局限人们看待历史的方式。新加坡作家黄凯德无惧国家主导的压迫性力量，在《豹变》中建构起反乌托邦世界，与新加坡官方历史的叙述形成对抗关系。通过反乌托邦理论，本文将探讨黄凯德如何在《豹变》中通过反乌托邦世界的建立，对新加坡官方历史作出多层面的反叛，打破人们以往看待历史的方式。The Singapore’s official discourse of history is highly politicised. The shaping of history is thus used as ideology in which the People Action’s Party legitimises its political control and restricts people in viewing history. As a response to government repressive controls on history, Singaporean author Wong Koi Tet constructs a dystopian world in Black Panther intending to challenge the nation’s discourse of history. With the aid of the theory of dystopia, this paper aims to examine how Wong Koi Tet rebels against the nation’s discourse of history and attempts to change people’s perception of history through the construction of dystopian world in Black Panther. |
|---|