The art of sim-making: what to learn from film-making
The components of each stage have similarities as well as differences, which make each unique in its own right. As the film-making and the movie industry may have much we can learn from, some of these will be covered under the different sections of the paper, for example, "Writing Powerful Narr...
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sg-ntu-dr.10356-1627402023-03-05T16:51:34Z The art of sim-making: what to learn from film-making Fatimah Lateef Peckler, Brad Saindon, Eric Chandra, Shruti Sardesai, Indrani Mohamed Alwi Abdul Rahman Krishnan, S. Vimal Afrah Abdul Wahid Ali Goncalves, Rose V. Galwankar, Sagar Lee Kong Chian School of Medicine (LKCMedicine) Singapore General Hospital Duke NUS Graduate Medical School Yong Loo Lin School of Medicine, NUS Science::Medicine Debriefing Medical Simulation The components of each stage have similarities as well as differences, which make each unique in its own right. As the film-making and the movie industry may have much we can learn from, some of these will be covered under the different sections of the paper, for example, "Writing Powerful Narratives," depiction of emotional elements, specific industry-driven developments as well as the "cultural considerations" in both. For medical simulation and simulation-based education, the corresponding stages are as follows: Development, Preproduction, Production, Postproduction and Distribution. The art of sim-making has many similarities to that of film-making. In fact, there is potentially much to be learnt from the film-making process in cinematography and storytelling. Both film-making and sim-making can be seen from the artistic perspective as starting with a large piece of blank, white sheet of paper, which will need to be colored by the "artists" and personnel involved; in the former, to come up with the film and for the latter, to engage learners and ensure learning takes place, which is then translated into action for patients in the actual clinical care areas. Both entities have to go through a series of systematic stages. For film-making, the stages are as follows: Identification of problems and needs analysis; Setting objectives, based on educational strategies; Implementation of the simulation activity; Debriefing and evaluation; as well as fine-tuning for future use and archiving of scenarios/cases. Published version 2022-11-07T08:08:06Z 2022-11-07T08:08:06Z 2022 Journal Article Fatimah Lateef, Peckler, B., Saindon, E., Chandra, S., Sardesai, I., Mohamed Alwi Abdul Rahman, Krishnan, S. V., Afrah Abdul Wahid Ali, Goncalves, R. V. & Galwankar, S. (2022). The art of sim-making: what to learn from film-making. Journal of Emergencies, Trauma, and Shock, 15(1), 3-11. https://dx.doi.org/10.4103/jets.jets_153_21 0974-2700 https://hdl.handle.net/10356/162740 10.4103/jets.jets_153_21 35431474 2-s2.0-85128628387 1 15 3 11 en Journal of Emergencies, Trauma, and Shock © 2022 Journal of Emergencies, Trauma, and Shock | Published by Wolters Kluwer - Medknow. This is an open access journal, and articles are distributed under the terms of the Creative Commons Attribution‑NonCommercial‑ShareAlike 4.0 License, which allows others to remix, tweak, and build upon the work non‑commercially, as long as appropriate credit is given and the new creations are licensed under the identical terms. application/pdf |
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Science::Medicine Debriefing Medical Simulation |
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Science::Medicine Debriefing Medical Simulation Fatimah Lateef Peckler, Brad Saindon, Eric Chandra, Shruti Sardesai, Indrani Mohamed Alwi Abdul Rahman Krishnan, S. Vimal Afrah Abdul Wahid Ali Goncalves, Rose V. Galwankar, Sagar The art of sim-making: what to learn from film-making |
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The components of each stage have similarities as well as differences, which make each unique in its own right. As the film-making and the movie industry may have much we can learn from, some of these will be covered under the different sections of the paper, for example, "Writing Powerful Narratives," depiction of emotional elements, specific industry-driven developments as well as the "cultural considerations" in both. For medical simulation and simulation-based education, the corresponding stages are as follows: Development, Preproduction, Production, Postproduction and Distribution. The art of sim-making has many similarities to that of film-making. In fact, there is potentially much to be learnt from the film-making process in cinematography and storytelling. Both film-making and sim-making can be seen from the artistic perspective as starting with a large piece of blank, white sheet of paper, which will need to be colored by the "artists" and personnel involved; in the former, to come up with the film and for the latter, to engage learners and ensure learning takes place, which is then translated into action for patients in the actual clinical care areas. Both entities have to go through a series of systematic stages. For film-making, the stages are as follows: Identification of problems and needs analysis; Setting objectives, based on educational strategies; Implementation of the simulation activity; Debriefing and evaluation; as well as fine-tuning for future use and archiving of scenarios/cases. |
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Lee Kong Chian School of Medicine (LKCMedicine) |
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Lee Kong Chian School of Medicine (LKCMedicine) Fatimah Lateef Peckler, Brad Saindon, Eric Chandra, Shruti Sardesai, Indrani Mohamed Alwi Abdul Rahman Krishnan, S. Vimal Afrah Abdul Wahid Ali Goncalves, Rose V. Galwankar, Sagar |
format |
Article |
author |
Fatimah Lateef Peckler, Brad Saindon, Eric Chandra, Shruti Sardesai, Indrani Mohamed Alwi Abdul Rahman Krishnan, S. Vimal Afrah Abdul Wahid Ali Goncalves, Rose V. Galwankar, Sagar |
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Fatimah Lateef |
title |
The art of sim-making: what to learn from film-making |
title_short |
The art of sim-making: what to learn from film-making |
title_full |
The art of sim-making: what to learn from film-making |
title_fullStr |
The art of sim-making: what to learn from film-making |
title_full_unstemmed |
The art of sim-making: what to learn from film-making |
title_sort |
art of sim-making: what to learn from film-making |
publishDate |
2022 |
url |
https://hdl.handle.net/10356/162740 |
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1759856297173319680 |