论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples
在香港电影历史上,有不少以武打为主题的电影题材,由“武”衍生出“武侠”与“仁义”的电影主题,多少年来深深吸引着观众的眼光。在这些电影中,“侠义”的重要性显然不仅仅是为了吸引观众,更是表现一种中华民族的传统美德,成为了港产武侠电影的“经典标志”,在一定程度上奠定了香港电影在人们心中的经典地位。然而,时移境迁,如今许多的武侠电影所传达的侠义精神,已随着不同的导演,或可说随着不同的市场需求,与从前相较已有了本质上的区别和改变。对于这种“变”,学界持有不同的见解,有学者认为此变是喻示着武侠电影中侠义精神的没落,更有甚者认为此变有着“挂羊头卖狗肉”之嫌;与此同时,亦有学者认为随着时代的变迁,这类电影中的...
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sg-ntu-dr.10356-1649842023-03-11T20:08:33Z 论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples 黄乐静 Ooi, Le Jing Yeo Min Hui School of Humanities mhyeo@ntu.edu.sg Humanities::Language::Chinese 在香港电影历史上,有不少以武打为主题的电影题材,由“武”衍生出“武侠”与“仁义”的电影主题,多少年来深深吸引着观众的眼光。在这些电影中,“侠义”的重要性显然不仅仅是为了吸引观众,更是表现一种中华民族的传统美德,成为了港产武侠电影的“经典标志”,在一定程度上奠定了香港电影在人们心中的经典地位。然而,时移境迁,如今许多的武侠电影所传达的侠义精神,已随着不同的导演,或可说随着不同的市场需求,与从前相较已有了本质上的区别和改变。对于这种“变”,学界持有不同的见解,有学者认为此变是喻示着武侠电影中侠义精神的没落,更有甚者认为此变有着“挂羊头卖狗肉”之嫌;与此同时,亦有学者认为随着时代的变迁,这类电影中的侠义精神只是换了另一种不同的形式,仍延续下去。 旨在探析港产武侠电影中,“侠义”概念的意涵与演变,本文将以电影《龙门客栈》,《新龙门客栈》与《龙门飞甲》三部电影为切入点,探析各电影对“侠义精神”的界定,并通过点出三部电影各版本之间在改编的过程中,经历了什么样的变化,分析出侠义精神或侠义的概念在香港武侠片中的演变。 In the world of Hong Kong cinema, there are a lot of martial arts as the main genre of the film, so that the "martial arts" derived from the "martial arts" and "benevolence" film theme, for many years deeply attracted for many years, the movie themes of "martial arts" and "benevolence" have captivated the eyes of viewers. The importance of "Wu Xia" is obviously not only to attract audience but has also become a traditional Chinese virtue and a "classic symbol" of cinema, which has to a certain extent established the classic status of Hong Kong films in people's hearts. To a certain extent, it has established the classic status of Hong Kong movies in people's hearts. However, I believe that the times have changed, and the spirit of chivalry conveyed by many martial arts movies today has been fundamentally different and changed with different directors, or with different market demands, compared to the past. Some scholars believe that this change is a metaphor for the decline of the chivalrous spirit in martial arts films, and some even believe that this change is suspected of "selling dog meat with a sheep's head"; at the same time, there are also scholars who believe that as films change with the times, the chivalrous spirit has changed. At the same time, some scholars believe that the spirit of chivalry has only changed to a different form and has been passed on with the changes of the times. This paper attempts to take the three films "Dragon Inn", "New Dragon Inn" and "Dragon Gate Flyers" as the entry point to explore the definition of "chivalry" in each film and analyze the evolution of the concept of chivalry or chivalry in Hong Kong martial arts films by pointing out the changes that each version of the three films has undergone in the process of adaptation. The evolution of the concept of chivalry in Hong Kong martial arts films. Bachelor of Arts in Chinese 2023-03-07T05:14:49Z 2023-03-07T05:14:49Z 2023 Final Year Project (FYP) 黄乐静 Ooi, L. J. (2023). 论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/164984 https://hdl.handle.net/10356/164984 zh application/pdf Nanyang Technological University |
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Humanities::Language::Chinese 黄乐静 Ooi, Le Jing 论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples |
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在香港电影历史上,有不少以武打为主题的电影题材,由“武”衍生出“武侠”与“仁义”的电影主题,多少年来深深吸引着观众的眼光。在这些电影中,“侠义”的重要性显然不仅仅是为了吸引观众,更是表现一种中华民族的传统美德,成为了港产武侠电影的“经典标志”,在一定程度上奠定了香港电影在人们心中的经典地位。然而,时移境迁,如今许多的武侠电影所传达的侠义精神,已随着不同的导演,或可说随着不同的市场需求,与从前相较已有了本质上的区别和改变。对于这种“变”,学界持有不同的见解,有学者认为此变是喻示着武侠电影中侠义精神的没落,更有甚者认为此变有着“挂羊头卖狗肉”之嫌;与此同时,亦有学者认为随着时代的变迁,这类电影中的侠义精神只是换了另一种不同的形式,仍延续下去。
旨在探析港产武侠电影中,“侠义”概念的意涵与演变,本文将以电影《龙门客栈》,《新龙门客栈》与《龙门飞甲》三部电影为切入点,探析各电影对“侠义精神”的界定,并通过点出三部电影各版本之间在改编的过程中,经历了什么样的变化,分析出侠义精神或侠义的概念在香港武侠片中的演变。
In the world of Hong Kong cinema, there are a lot of martial arts as the main genre of the film, so that the "martial arts" derived from the "martial arts" and "benevolence" film theme, for many years deeply attracted for many years, the movie themes of "martial arts" and "benevolence" have captivated the eyes of viewers. The importance of "Wu Xia" is obviously not only to attract audience but has also become a traditional Chinese virtue and a "classic symbol" of cinema, which has to a certain extent established the classic status of Hong Kong films in people's hearts. To a certain extent, it has established the classic status of Hong Kong movies in people's hearts. However, I believe that the times have changed, and the spirit of chivalry conveyed by many martial arts movies today has been fundamentally different and changed with different directors, or with different market demands, compared to the past. Some scholars believe that this change is a metaphor for the decline of the chivalrous spirit in martial arts films, and some even believe that this change is suspected of "selling dog meat with a sheep's head"; at the same time, there are also scholars who believe that as films change with the times, the chivalrous spirit has changed. At the same time, some scholars believe that the spirit of chivalry has only changed to a different form and has been passed on with the changes of the times.
This paper attempts to take the three films "Dragon Inn", "New Dragon Inn" and "Dragon Gate Flyers" as the entry point to explore the definition of "chivalry" in each film and analyze the evolution of the concept of chivalry or chivalry in Hong Kong martial arts films by pointing out the changes that each version of the three films has undergone in the process of adaptation. The evolution of the concept of chivalry in Hong Kong martial arts films. |
author2 |
Yeo Min Hui |
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Yeo Min Hui 黄乐静 Ooi, Le Jing |
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Final Year Project |
author |
黄乐静 Ooi, Le Jing |
author_sort |
黄乐静 Ooi, Le Jing |
title |
论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples |
title_short |
论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples |
title_full |
论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples |
title_fullStr |
论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples |
title_full_unstemmed |
论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples |
title_sort |
论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = a study of changes of "wu xia" concept in hong kong martial art films using dragon inn, new dragon gate inn and the flying swords of dragon gate as examples |
publisher |
Nanyang Technological University |
publishDate |
2023 |
url |
https://hdl.handle.net/10356/164984 |
_version_ |
1761781163834212352 |