Batik and its representations: staging of resistance in 20th century colonial Indonesia
Batik’s significance in Indonesia has been tied strongly to its post-independent narrative and its role in the creation of an Indonesian identity in contemporary discourse but much less is discussed about the period preceding it. This thesis aims to address this gap in literature through exploring t...
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2023
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sg-ntu-dr.10356-1653692023-04-01T16:56:00Z Batik and its representations: staging of resistance in 20th century colonial Indonesia Chua, Pei Shyuen Goh Geok Yian School of Humanities GYGOH@ntu.edu.sg Humanities::History Visual arts and music::Art history Batik’s significance in Indonesia has been tied strongly to its post-independent narrative and its role in the creation of an Indonesian identity in contemporary discourse but much less is discussed about the period preceding it. This thesis aims to address this gap in literature through exploring the cultural significance of batik and its representations on other forms of material culture during its colonial period in the 20th century as nationalist sentiments were just developing. Working from the perspectives of cultural anthropology and art history, this thesis investigates the use of these visual symbols and signifiers entwined in Indonesian consciousness, as forms of resistance against Dutch colonialism. Bachelor of Arts in History 2023-03-26T12:00:53Z 2023-03-26T12:00:53Z 2023 Final Year Project (FYP) Chua, P. S. (2023). Batik and its representations: staging of resistance in 20th century colonial Indonesia. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/165369 https://hdl.handle.net/10356/165369 en application/pdf Nanyang Technological University |
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Humanities::History Visual arts and music::Art history Chua, Pei Shyuen Batik and its representations: staging of resistance in 20th century colonial Indonesia |
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Batik’s significance in Indonesia has been tied strongly to its post-independent narrative and its role in the creation of an Indonesian identity in contemporary discourse but much less is discussed about the period preceding it. This thesis aims to address this gap in literature through exploring the cultural significance of batik and its representations on other forms of material culture during its colonial period in the 20th century as nationalist sentiments were just developing. Working from the perspectives of cultural anthropology and art history, this thesis investigates the use of these visual symbols and signifiers entwined in Indonesian consciousness, as forms of resistance against Dutch colonialism. |
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Goh Geok Yian |
author_facet |
Goh Geok Yian Chua, Pei Shyuen |
format |
Final Year Project |
author |
Chua, Pei Shyuen |
author_sort |
Chua, Pei Shyuen |
title |
Batik and its representations: staging of resistance in 20th century colonial Indonesia |
title_short |
Batik and its representations: staging of resistance in 20th century colonial Indonesia |
title_full |
Batik and its representations: staging of resistance in 20th century colonial Indonesia |
title_fullStr |
Batik and its representations: staging of resistance in 20th century colonial Indonesia |
title_full_unstemmed |
Batik and its representations: staging of resistance in 20th century colonial Indonesia |
title_sort |
batik and its representations: staging of resistance in 20th century colonial indonesia |
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Nanyang Technological University |
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2023 |
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https://hdl.handle.net/10356/165369 |
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