Rakyat MTV: music videos and the quest for a reified cultural identity in post-Suharto Indonesia
As creative spectacles, as well as becoming a new tool to stoke engagement for the music industry’s commercialistic landscape, music videos quickly became short-form visualisers steeped in the popular culture of their eras. In such a manner, music videos encapsulate the politics and aesthetics of th...
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2023
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sg-ntu-dr.10356-1663562023-04-29T16:56:18Z Rakyat MTV: music videos and the quest for a reified cultural identity in post-Suharto Indonesia Lee, Abigail Qi-En Marc Gloede School of Humanities marc.gloede@ntu.edu.sg Visual arts and music Humanities As creative spectacles, as well as becoming a new tool to stoke engagement for the music industry’s commercialistic landscape, music videos quickly became short-form visualisers steeped in the popular culture of their eras. In such a manner, music videos encapsulate the politics and aesthetics of their makers, whether they be popular and pandering to the mainstream or pushing the boundaries of censorship and controversy. This paper aims to demonstrate that the study of aesthetics in Indonesian music videos, between political eras functions to engage with the effects of globalisation and censorship on regional pop culture and the utilisation of music videos in building a revised cultural identity through the analysis of case studies taken from two of Indonesia’s eras: late-New Order in the 1980s and post-Suharto, the era of reformation at the turn of the century. Bachelor of Arts in English Literature and Art History 2023-04-25T07:43:29Z 2023-04-25T07:43:29Z 2023 Final Year Project (FYP) Lee, A. Q. (2023). Rakyat MTV: music videos and the quest for a reified cultural identity in post-Suharto Indonesia. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/166356 https://hdl.handle.net/10356/166356 en application/pdf Nanyang Technological University |
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Visual arts and music Humanities Lee, Abigail Qi-En Rakyat MTV: music videos and the quest for a reified cultural identity in post-Suharto Indonesia |
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As creative spectacles, as well as becoming a new tool to stoke engagement for the music industry’s commercialistic landscape, music videos quickly became short-form visualisers steeped in the popular culture of their eras. In such a manner, music videos encapsulate the politics and aesthetics of their makers, whether they be popular and pandering to the mainstream or pushing the boundaries of censorship and controversy. This paper aims to demonstrate that the study of aesthetics in Indonesian music videos, between political eras functions to engage with the effects of globalisation and censorship on regional pop culture and the utilisation of music videos in building a revised cultural identity through the analysis of case studies taken from two of Indonesia’s eras: late-New Order in the 1980s and post-Suharto, the era of reformation at the turn of the century. |
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Marc Gloede |
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Marc Gloede Lee, Abigail Qi-En |
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Final Year Project |
author |
Lee, Abigail Qi-En |
author_sort |
Lee, Abigail Qi-En |
title |
Rakyat MTV: music videos and the quest for a reified cultural identity in post-Suharto Indonesia |
title_short |
Rakyat MTV: music videos and the quest for a reified cultural identity in post-Suharto Indonesia |
title_full |
Rakyat MTV: music videos and the quest for a reified cultural identity in post-Suharto Indonesia |
title_fullStr |
Rakyat MTV: music videos and the quest for a reified cultural identity in post-Suharto Indonesia |
title_full_unstemmed |
Rakyat MTV: music videos and the quest for a reified cultural identity in post-Suharto Indonesia |
title_sort |
rakyat mtv: music videos and the quest for a reified cultural identity in post-suharto indonesia |
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Nanyang Technological University |
publishDate |
2023 |
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https://hdl.handle.net/10356/166356 |
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1765213817623543808 |