Redefining guardianship: a study of the intellectually disabled, their family, and their social sphere in cinema
This thesis takes a step back from directly studying the intellectually disabled individual’s relationship with normative society, and instead interrogates the ways in which family-centred care of ID individuals facilitates and/or disrupts their relationship with the wider social sphere. By evaluati...
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| Format: | Final Year Project |
| Language: | English |
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Nanyang Technological University
2023
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| Online Access: | https://hdl.handle.net/10356/166381 |
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| Institution: | Nanyang Technological University |
| Language: | English |
| Summary: | This thesis takes a step back from directly studying the intellectually disabled individual’s relationship with normative society, and instead interrogates the ways in which family-centred care of ID individuals facilitates and/or disrupts their relationship with the wider social sphere. By evaluating three primary texts in the cinematic medium, namely Robert Zemeckis’ Forrest Gump (1994), Lee Chang-dong’s Oasis (2002), and Bong Joon-ho’s Mother (2009), the essay negotiates both valuable and detrimental guardianship strategies in the films, so as to outline the ways in which family-centred care of ID patients can be more constructive, in not only facilitating these individuals’ formation of identities, but also their capacity for meaning-making of the world. In essence, the project postulates that effective family-centric care is at the centre of the endeavour to empower ID individuals –– without it, the intellectually disabled individual cannot thrive, and would instead continue to maintain a tenuous relationship with dominant society. |
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