Where the wild birds go

Where the wild birds go delineates the lived experience of a first-generation Chinese immigrant, shedding light on the topic of Chinese diaspora. This body of work investigates the identity of an individual in today’s increasingly transnational, global society. Through this observation, I hope to re...

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Main Author: Xu, Meicheng
Other Authors: Oh Soon-Hwa
Format: Final Year Project
Language:English
Published: Nanyang Technological University 2023
Subjects:
Online Access:https://hdl.handle.net/10356/168112
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-1681122023-06-10T17:00:40Z Where the wild birds go Xu, Meicheng Oh Soon-Hwa School of Art, Design and Media SHOh@ntu.edu.sg Visual arts and music Where the wild birds go delineates the lived experience of a first-generation Chinese immigrant, shedding light on the topic of Chinese diaspora. This body of work investigates the identity of an individual in today’s increasingly transnational, global society. Through this observation, I hope to rethink how we understand Home - such as through memory, movement, and imagination. Using the alternative photographic process; cyanotype, I replicate the interior structures of my childhood home in Fujian,China. Transporting them to me here in Singapore - a city where I call home but not quite. Historically, the diaspora referred specifically to jews and their exile from their historic homeland. By the end of the last century, the notion of diaspora was broadened and redefined to include many other groups. Prior to the first millennium A.D, the movement of Chinese outside of China was rare with only a few venturing out to the surrounding areas in the South China Sea. (wang 2000,3). This paper focuses on the research of the Chinese diaspora and what it means to be a Chinese immigrant in the transnational world today. Bachelor of Fine Arts in Photography and Digital Imaging 2023-06-07T02:36:43Z 2023-06-07T02:36:43Z 2023 Final Year Project (FYP) Xu, M. (2023). Where the wild birds go. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/168112 https://hdl.handle.net/10356/168112 en application/pdf Nanyang Technological University
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language English
topic Visual arts and music
spellingShingle Visual arts and music
Xu, Meicheng
Where the wild birds go
description Where the wild birds go delineates the lived experience of a first-generation Chinese immigrant, shedding light on the topic of Chinese diaspora. This body of work investigates the identity of an individual in today’s increasingly transnational, global society. Through this observation, I hope to rethink how we understand Home - such as through memory, movement, and imagination. Using the alternative photographic process; cyanotype, I replicate the interior structures of my childhood home in Fujian,China. Transporting them to me here in Singapore - a city where I call home but not quite. Historically, the diaspora referred specifically to jews and their exile from their historic homeland. By the end of the last century, the notion of diaspora was broadened and redefined to include many other groups. Prior to the first millennium A.D, the movement of Chinese outside of China was rare with only a few venturing out to the surrounding areas in the South China Sea. (wang 2000,3). This paper focuses on the research of the Chinese diaspora and what it means to be a Chinese immigrant in the transnational world today.
author2 Oh Soon-Hwa
author_facet Oh Soon-Hwa
Xu, Meicheng
format Final Year Project
author Xu, Meicheng
author_sort Xu, Meicheng
title Where the wild birds go
title_short Where the wild birds go
title_full Where the wild birds go
title_fullStr Where the wild birds go
title_full_unstemmed Where the wild birds go
title_sort where the wild birds go
publisher Nanyang Technological University
publishDate 2023
url https://hdl.handle.net/10356/168112
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