Hollow Façades: constructing the edit of Built to Scale
This report details the creative approaches and development behind the short film, Built to Scale, from the perspective of the co-editor role. The first section recounts experiences of curating specific influences and assets during pre-production in tandem with the writer-director to craft a compell...
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2023
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sg-ntu-dr.10356-1681652023-06-10T17:02:13Z Hollow Façades: constructing the edit of Built to Scale Seah, Sean Pang Boon Nicole Midori Woodford School of Art, Design and Media nicolemidori@ntu.edu.sg Visual arts and music::Film This report details the creative approaches and development behind the short film, Built to Scale, from the perspective of the co-editor role. The first section recounts experiences of curating specific influences and assets during pre-production in tandem with the writer-director to craft a compelling tale. Guided by the clarity afforded by research, the following section chronicles the film’s progress to achieve its thematic identity amidst shifting circumstances during production, before delving into post-production workflows and the collaborative efforts to shape the cut and achieve its intended vision. Finally, this report concludes with a reflection on the struggles and triumphs in executing this editorial feat, alongside general thoughts on the author’s involvement in the project. Bachelor of Fine Arts in Digital Filmmaking 2023-06-07T13:23:03Z 2023-06-07T13:23:03Z 2023 Final Year Project (FYP) Seah, S. P. B. (2023). Hollow Façades: constructing the edit of Built to Scale. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/168165 https://hdl.handle.net/10356/168165 en application/pdf Nanyang Technological University |
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Visual arts and music::Film Seah, Sean Pang Boon Hollow Façades: constructing the edit of Built to Scale |
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This report details the creative approaches and development behind the short film, Built to Scale, from the perspective of the co-editor role. The first section recounts experiences of curating specific influences and assets during pre-production in tandem with the writer-director to craft a compelling tale. Guided by the clarity afforded by research, the following section chronicles the film’s progress to achieve its thematic identity amidst shifting circumstances during production, before delving into post-production workflows and the collaborative efforts to shape the cut and achieve its intended vision. Finally, this report concludes with a reflection on the struggles and triumphs in executing this editorial feat, alongside general thoughts on the author’s involvement in the project. |
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Nicole Midori Woodford |
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Nicole Midori Woodford Seah, Sean Pang Boon |
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Final Year Project |
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Seah, Sean Pang Boon |
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Seah, Sean Pang Boon |
title |
Hollow Façades: constructing the edit of Built to Scale |
title_short |
Hollow Façades: constructing the edit of Built to Scale |
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Hollow Façades: constructing the edit of Built to Scale |
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Hollow Façades: constructing the edit of Built to Scale |
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Hollow Façades: constructing the edit of Built to Scale |
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hollow façades: constructing the edit of built to scale |
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Nanyang Technological University |
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2023 |
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https://hdl.handle.net/10356/168165 |
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1772826220639027200 |