Archipelagic thinking in Merlinda Bobis’s Fish-Hair Woman corpus

Following Édouard Glissant’s lead, archipelagic thinking challenges neocolonial epistemes and methodologies in imagining alternative relations among difference. It offers productive lines of thought in relation to Southeast Asia, which has historically been marginalized in the global imaginary. This...

Full description

Saved in:
Bibliographic Details
Main Author: Lee, Cheryl Julia
Other Authors: School of Humanities
Format: Article
Language:English
Published: 2023
Subjects:
Online Access:https://hdl.handle.net/10356/169329
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: Nanyang Technological University
Language: English
id sg-ntu-dr.10356-169329
record_format dspace
spelling sg-ntu-dr.10356-1693292023-07-15T16:55:05Z Archipelagic thinking in Merlinda Bobis’s Fish-Hair Woman corpus Lee, Cheryl Julia School of Humanities Humanities::Language::English Merlinda Bobis Fish-Hair Woman Following Édouard Glissant’s lead, archipelagic thinking challenges neocolonial epistemes and methodologies in imagining alternative relations among difference. It offers productive lines of thought in relation to Southeast Asia, which has historically been marginalized in the global imaginary. This article examines archipelagic thinking’s potential to rewrite this metageography through a reading of Merlinda Bobis’s narratives of the Fish-Hair Woman who trawls the river with her magical hair for victims of the 1980s Philippine communist counter-insurgency in the fictional town of Iraya, Philippines. Recuperating neglected geographies and histories through storytelling and deploying magical realism by way of deconstructing hegemonic epistemologies and ontologies, these narratives subvert centre–periphery dynamics by endowing the Philippines with cultural specificity and mythic significance while positioning it as a zone of cultural exchange and interconnectedness. Through them, Bobis articulates a model for negotiating relations among difference characterized by fluidity and respect, in alignment with Glissant’s relationality. Nanyang Technological University Submitted/Accepted version This work was supported by Nanyang Technological University, Singapore under Start-Up Grant (No.04INS000799C420). 2023-07-13T01:13:00Z 2023-07-13T01:13:00Z 2023 Journal Article Lee, C. J. (2023). Archipelagic thinking in Merlinda Bobis’s Fish-Hair Woman corpus. Journal of Postcolonial Writing. https://dx.doi.org/10.1080/17449855.2023.2178857 1744-9855 https://hdl.handle.net/10356/169329 10.1080/17449855.2023.2178857 2-s2.0-85152031755 en NTU-SUG (04INS000799C420) Journal of Postcolonial Writing © 2023 Informa UK Limited, trading as Taylor & Francis Group All rights reserved. This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of Postcolonial Writing on 28 Mar 2023, available online: http://www.tandfonline.com/10.1080/17449855.2023.2178857. application/pdf
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language English
topic Humanities::Language::English
Merlinda Bobis
Fish-Hair Woman
spellingShingle Humanities::Language::English
Merlinda Bobis
Fish-Hair Woman
Lee, Cheryl Julia
Archipelagic thinking in Merlinda Bobis’s Fish-Hair Woman corpus
description Following Édouard Glissant’s lead, archipelagic thinking challenges neocolonial epistemes and methodologies in imagining alternative relations among difference. It offers productive lines of thought in relation to Southeast Asia, which has historically been marginalized in the global imaginary. This article examines archipelagic thinking’s potential to rewrite this metageography through a reading of Merlinda Bobis’s narratives of the Fish-Hair Woman who trawls the river with her magical hair for victims of the 1980s Philippine communist counter-insurgency in the fictional town of Iraya, Philippines. Recuperating neglected geographies and histories through storytelling and deploying magical realism by way of deconstructing hegemonic epistemologies and ontologies, these narratives subvert centre–periphery dynamics by endowing the Philippines with cultural specificity and mythic significance while positioning it as a zone of cultural exchange and interconnectedness. Through them, Bobis articulates a model for negotiating relations among difference characterized by fluidity and respect, in alignment with Glissant’s relationality.
author2 School of Humanities
author_facet School of Humanities
Lee, Cheryl Julia
format Article
author Lee, Cheryl Julia
author_sort Lee, Cheryl Julia
title Archipelagic thinking in Merlinda Bobis’s Fish-Hair Woman corpus
title_short Archipelagic thinking in Merlinda Bobis’s Fish-Hair Woman corpus
title_full Archipelagic thinking in Merlinda Bobis’s Fish-Hair Woman corpus
title_fullStr Archipelagic thinking in Merlinda Bobis’s Fish-Hair Woman corpus
title_full_unstemmed Archipelagic thinking in Merlinda Bobis’s Fish-Hair Woman corpus
title_sort archipelagic thinking in merlinda bobis’s fish-hair woman corpus
publishDate 2023
url https://hdl.handle.net/10356/169329
_version_ 1773551365783552000