Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant?

This essay elucidates how Rita Felski’s critical concept of recognition—and its corresponding emphases on relationality and intersubjectivity—serves as a productive mode for examining representations of illness and the challenges associated with end-of-life care in the graphic memoir form. In Roz Ch...

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Main Author: Wang, Michelle W.
Other Authors: School of Humanities
Format: Article
Language:English
Published: 2023
Subjects:
Art
Online Access:https://hdl.handle.net/10356/170545
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-1705452023-09-19T02:37:20Z Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant? Wang, Michelle W. School of Humanities Humanities::Language Art End-of-life Care This essay elucidates how Rita Felski’s critical concept of recognition—and its corresponding emphases on relationality and intersubjectivity—serves as a productive mode for examining representations of illness and the challenges associated with end-of-life care in the graphic memoir form. In Roz Chast’s Can’t We Talk About Something More Pleasant? (2014), not only does the cartoonist chronicle her elderly parents’ struggles with escalating physical and cognitive debilitation, the graphic memoir is also an intimate record of Chast’s own difficult emotional journey of re-orientating from her role as their child to their caregiver. By attending to artistic self-representations in Chast’s graphic memoir, I explain how its embedding of layered subjectivities is built on a relational model of care ethics that illuminates the emotional complexities of caring for one’s loved ones. 2023-09-19T02:37:20Z 2023-09-19T02:37:20Z 2021 Journal Article Wang, M. W. (2021). Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant?. Prose Studies, 42(1), 106-125. https://dx.doi.org/10.1080/01440357.2021.1996905 0144-0357 https://hdl.handle.net/10356/170545 10.1080/01440357.2021.1996905 2-s2.0-85121663045 1 42 106 125 en Prose Studies © 2021 Informa UK Limited, trading as Taylor & Francis Group. All rights reserved.
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language English
topic Humanities::Language
Art
End-of-life Care
spellingShingle Humanities::Language
Art
End-of-life Care
Wang, Michelle W.
Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant?
description This essay elucidates how Rita Felski’s critical concept of recognition—and its corresponding emphases on relationality and intersubjectivity—serves as a productive mode for examining representations of illness and the challenges associated with end-of-life care in the graphic memoir form. In Roz Chast’s Can’t We Talk About Something More Pleasant? (2014), not only does the cartoonist chronicle her elderly parents’ struggles with escalating physical and cognitive debilitation, the graphic memoir is also an intimate record of Chast’s own difficult emotional journey of re-orientating from her role as their child to their caregiver. By attending to artistic self-representations in Chast’s graphic memoir, I explain how its embedding of layered subjectivities is built on a relational model of care ethics that illuminates the emotional complexities of caring for one’s loved ones.
author2 School of Humanities
author_facet School of Humanities
Wang, Michelle W.
format Article
author Wang, Michelle W.
author_sort Wang, Michelle W.
title Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant?
title_short Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant?
title_full Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant?
title_fullStr Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant?
title_full_unstemmed Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant?
title_sort artistic self-representations and cognitive complexity in roz chast’s can’t we talk about something more pleasant?
publishDate 2023
url https://hdl.handle.net/10356/170545
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