跨境的政治：香港电影的广东城市想象与自我论述 = Cross-border politics: Guangdong city imagination and self-narrative in Hong Kong cinema

• Main Author: 徐付美智 Xu, Fumeizhi
• Other Authors: Yeo Min Hui
• Format: Thesis-Master by Research
• Language: Chinese
• Published: Nanyang Technological University 2024
• Subjects: Humanities
• Online Access: https://hdl.handle.net/10356/173032
• Institution: Nanyang Technological University

香港与广东的合作历史源远流长，在不断的交流合作中，深圳与广州作为近邻和省城在与香港的互动中扮演了重要的角色。港深的边界区隔了两种制度，而区域的合作意味着跨越这个边界，实现两种制度、两种发展程度、两种意识形态的融合。这正是本论文的研究主题——跨境。 本论文以八十年代以来再现了深圳和广州这两个广东大都会的香港电影作为研究对象，从跨境人口、跨境犯罪、跨境电影工业这三个主题入手，借用达林·伯尔尼（Darin Barney）的网络社会理论，结合边界与区域的概念建构起香港、深圳、广州所在的区域网络社会，并运用其运作原理，探析香港电影中的“跨境”这一动作和概念如何影响了深圳和广州他者想象，如何形塑了自我身份。 There is a long cooperation history between Hong Kong and Guangdong. In the ongoing collaborative endeavors, Shenzhen as a geographical neighbor and Guangzhou as the provincial capital, both have been pivotal in fostering interactions with Hong Kong. The border between Hong Kong and Shenzhen separates the two systems, and regional cooperation means crossing this border to realize the integration of the two systems, two levels of development, and two ideologies. This precisely encapsulates the research focus of this thesis: cross-border. This thesis takes the Hong Kong films that have represent the two Guangdong metropolises Shenzhen and Guangzhou since the 1980s as the research object, starting with the three themes of cross-border population, cross-border crime, and cross-border film industry, drawing upon Darin Barney’s network society theory, integrating the concepts of borders and regions, constructing a regional network society encompassing Hong Kong, Shenzhen, and Guangzhou, and utilizing its operating principles to explore how the action and concept of cross-border in Hong Kong movies influenced the "others" imagination of Shenzhen and Guangzhou, and how Hong Kong shaped its self-identity.