当代台湾海洋生态文学研究 = Study of contemporary Taiwanese sea literature

• Main Author: 黄明乐 Bong, Ming Le
• Other Authors: Chu Kiu-wai
• Format: Final Year Project
• Language: Chinese
• Published: Nanyang Technological University 2024
• Subjects: Arts and Humanities; 当代台湾海洋文学 Contemporary Taiwanese sea literature; 讨海人 Fisherfolk
• Online Access: https://hdl.handle.net/10356/174120
• Institution: Nanyang Technological University

当代台湾文学作品丰富多彩，百花齐开，而动物在文学作品中屡见不鲜。在作者自身环境背景下，作者在动物上赋予深刻含义而形成特有的动物文学。台湾似新加坡，作为一个被海洋环绕的岛屿，文学作品中的海洋生物，如“鱼”、“鲸”、“豚”都被作者赋予独特性的意义。在不同作者的视角下，当代台湾海洋文学呈现与众不同的文学创作类型，值得探究。由此，本文将围绕著名台湾作家——廖鸿基、夏曼·蓝波安有关的创作，从当代台湾文学中的海洋动物带出台湾的海岛民族特色及维护台湾海洋与海洋生物相关议题。 绪论将定义海洋文学及海洋动物文学，梳理当代台湾海洋文学的概况，并了解著名台湾文学家，廖鸿基与夏曼·蓝波安的身份背景，台湾海洋文学创作，其写作动机及现实意义。第一章将从廖鸿基创作《鲸生鲸世》的目的及讨海人的视角，分析《鲸》带出的台湾当代鲸豚生态问题，与鲸豚负面且错误形象，并为鲸豚正名。第二章以夏曼·蓝波安创作《我愿是那片海洋的鱼鳞》的创作目的，和其中的兰屿家、达悟族男性视角，引出台湾少数民族特有的民族意识，及达悟族因现代化面临的危机。最后，第三章将从时代及身份背景、创作目的、视角、去人类中心主义，几个方面来对比分析《鲸》和《我》为何在相同的时代却造就差异甚多的当代台湾海洋文学作品。 Contemporary Taiwanese literature is rich and diverse, with a profusion of styles, and animals are often encountered in these literary works. Under the influence of the author's background, animals were imbued with profound meanings, forming a unique genre of animal literature. Like Singapore, Taiwan is an island surrounded by the sea, and marine creatures in literary works, such as "fishes", "whales" and "dolphins", are all endowed with unique meanings by their authors. From various authors’ perspectives, contemporary Taiwanese sea literature presents distinctive types of literary creation, which are worth exploring. Therefore, this thesis will focus on the works of renowned Taiwanese writers, Hung-gee Liao and Syaman Rapongan, exploring their portrayal of marine animals in contemporary Taiwanese sea literature, aimed to shed light on the unique characteristics of Taiwan’s indigenous people, and address issues related to the preservation of Taiwan’s sea and marine life. In the introduction, the definition of sea literature and marine animal literature, an outline of the history of contemporary Taiwanese sea literature, and the backgrounds of renowned Taiwanese writers, Hung-gee Liao and Syaman Rapongan, will be discussed. This encompasses their motivation to compose Taiwanese sea literature, and its significance. Next, in the first chapter, the purpose of Hung-gee Liao to write <Jing Sheng Jing Shi> from his fisherfolk perspective, the ecological issues brought out and the erroneous portrayal of whales and dolphins will be analyzed. Subsequently, in the second chapter, the focus will be on Syaman Rapongan’s reasons to create <Wo Yuan Shi Na Pian Hai Yang De Yu Lin> from theYami man’s perspective, delving into the Yami’s one of a kind thinking and the crises faced by the Yami (Tao) Tribe due to modernization. Finally, in the third chapter, comparative analysis of <Jing Sheng Jing Shi> and < Wo Yuan Shi Na Pian Hai Yang De Yu Lin> will be conducted from various aspects, such as background, purpose of writing, perspective, anthropocentrism and ecocentrism, investigating why these two literary works despite being created in similar eras, exhibit significant differences.