Indices of the esoteric: crime, rorensic science, and oral culture

This essay explores the relationship between geography, epistemology, and genre in Nii Ayikwei Parkes’s Tail of the Blue Bird (2009). More specifically, I will be discussing the perspectival modulation that both the novel and its protagonist undergo as a consequence of a simple journey into the Ghan...

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Main Author: Scott, Bede
Other Authors: School of Humanities
Format: Article
Language:English
Published: 2024
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Online Access:https://hdl.handle.net/10356/175745
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-1757452024-05-06T01:26:34Z Indices of the esoteric: crime, rorensic science, and oral culture Scott, Bede School of Humanities Arts and Humanities Forensic Science Oral Culture This essay explores the relationship between geography, epistemology, and genre in Nii Ayikwei Parkes’s Tail of the Blue Bird (2009). More specifically, I will be discussing the perspectival modulation that both the novel and its protagonist undergo as a consequence of a simple journey into the Ghanaian provinces. Kayo Odamtten, a forensic pathologist, has been sent to investigate a suspected murder in the remote village of Sonokrom. Although he relies on standard forensic procedures when he first arrives in the village, Kayo is eventually forced to utilize other perspectives, other epistemologies, in order to solve the mystery. And as we shall see, this reorientation of the story also influences the novel at the level of discourse and genre, transforming a conventional work of detective fiction into something else altogether—something far more equivocal and difficult to categorize. 2024-05-06T01:26:34Z 2024-05-06T01:26:34Z 2024 Journal Article Scott, B. (2024). Indices of the esoteric: crime, rorensic science, and oral culture. Research in African Literatures, 54(2), 21-39. https://dx.doi.org/10.2979/ral.00002 0034-5210 https://hdl.handle.net/10356/175745 10.2979/ral.00002 2-s2.0-85186196746 2 54 21 39 en Research in African Literatures © 2024 The Trustees of Indiana University. All rights reserved.
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language English
topic Arts and Humanities
Forensic Science
Oral Culture
spellingShingle Arts and Humanities
Forensic Science
Oral Culture
Scott, Bede
Indices of the esoteric: crime, rorensic science, and oral culture
description This essay explores the relationship between geography, epistemology, and genre in Nii Ayikwei Parkes’s Tail of the Blue Bird (2009). More specifically, I will be discussing the perspectival modulation that both the novel and its protagonist undergo as a consequence of a simple journey into the Ghanaian provinces. Kayo Odamtten, a forensic pathologist, has been sent to investigate a suspected murder in the remote village of Sonokrom. Although he relies on standard forensic procedures when he first arrives in the village, Kayo is eventually forced to utilize other perspectives, other epistemologies, in order to solve the mystery. And as we shall see, this reorientation of the story also influences the novel at the level of discourse and genre, transforming a conventional work of detective fiction into something else altogether—something far more equivocal and difficult to categorize.
author2 School of Humanities
author_facet School of Humanities
Scott, Bede
format Article
author Scott, Bede
author_sort Scott, Bede
title Indices of the esoteric: crime, rorensic science, and oral culture
title_short Indices of the esoteric: crime, rorensic science, and oral culture
title_full Indices of the esoteric: crime, rorensic science, and oral culture
title_fullStr Indices of the esoteric: crime, rorensic science, and oral culture
title_full_unstemmed Indices of the esoteric: crime, rorensic science, and oral culture
title_sort indices of the esoteric: crime, rorensic science, and oral culture
publishDate 2024
url https://hdl.handle.net/10356/175745
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