On Intimacy and the inanimate: I think holding you near the kitchen light wouldn’t be so bad
I think holding you near the kitchen light wouldn’t be so bad is an exploration of how signs of human intimacy can be visually located in object language. Through quiet searches of love within object to object relations, romantic ‘sculptures’ are identified within everyday spaces and close readings...
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Nanyang Technological University
2024
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Online Access: | https://hdl.handle.net/10356/177258 |
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sg-ntu-dr.10356-1772582024-06-01T16:59:30Z On Intimacy and the inanimate: I think holding you near the kitchen light wouldn’t be so bad Tay, Yiling Ang Song Nian School of Art, Design and Media SNAng@ntu.edu.sg Arts and Humanities Visual arts and music Visual art Photography I think holding you near the kitchen light wouldn’t be so bad is an exploration of how signs of human intimacy can be visually located in object language. Through quiet searches of love within object to object relations, romantic ‘sculptures’ are identified within everyday spaces and close readings of the inanimate are formed. This work posits how objects, when recontextualised and stripped of their technical functions, could potentially inhabit signs of human likeness, and as a result represent a desire for a radical, liberated model of love in how they relate to one another. Bachelor's degree 2024-05-27T07:17:10Z 2024-05-27T07:17:10Z 2024 Final Year Project (FYP) Tay, Y. (2024). On Intimacy and the inanimate: I think holding you near the kitchen light wouldn’t be so bad. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/177258 https://hdl.handle.net/10356/177258 en application/pdf Nanyang Technological University |
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Arts and Humanities Visual arts and music Visual art Photography Tay, Yiling On Intimacy and the inanimate: I think holding you near the kitchen light wouldn’t be so bad |
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I think holding you near the kitchen light wouldn’t be so bad is an exploration of how signs of human intimacy can be visually located in object language. Through quiet searches of love within object to object relations, romantic ‘sculptures’ are identified within everyday spaces and close readings of the inanimate are formed. This work posits how objects, when recontextualised and stripped of their technical functions, could potentially inhabit signs of human likeness, and as a result represent a desire for a radical, liberated model of love in how they relate to one another. |
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Ang Song Nian |
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Ang Song Nian Tay, Yiling |
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Final Year Project |
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Tay, Yiling |
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Tay, Yiling |
title |
On Intimacy and the inanimate: I think holding you near the kitchen light wouldn’t be so bad |
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On Intimacy and the inanimate: I think holding you near the kitchen light wouldn’t be so bad |
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On Intimacy and the inanimate: I think holding you near the kitchen light wouldn’t be so bad |
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On Intimacy and the inanimate: I think holding you near the kitchen light wouldn’t be so bad |
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On Intimacy and the inanimate: I think holding you near the kitchen light wouldn’t be so bad |
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on intimacy and the inanimate: i think holding you near the kitchen light wouldn’t be so bad |
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Nanyang Technological University |
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2024 |
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https://hdl.handle.net/10356/177258 |
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1800916148707917824 |