Tiddim Chin tones in historical perspective
Tiddim Chin shows three tones in smooth syllables (syllables ending with sonorants and vowels): rising, level and falling, which are numbered by Henderson (1965) as tones 1, 2 and 3 respectively. Long checked syllables (syllables with long vowels ending with stops) also occur with these three tones....
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sg-ntu-dr.10356-1781562024-06-11T01:04:38Z Tiddim Chin tones in historical perspective Ostapirat, Weera University of California, Berkeley Arts and Humanities Tiddim Chin shows three tones in smooth syllables (syllables ending with sonorants and vowels): rising, level and falling, which are numbered by Henderson (1965) as tones 1, 2 and 3 respectively. Long checked syllables (syllables with long vowels ending with stops) also occur with these three tones. Short checked syllables only occur with a low level tone, which has been considered to be an allotone of tone 3. For convenience of discussion in this article I will refer to this latter tone as tone 4. Published version 2024-06-11T01:04:38Z 2024-06-11T01:04:38Z 1998 Journal Article Ostapirat, W. (1998). Tiddim Chin tones in historical perspective. Linguistics of the Tibeto-Burman Area, 21(1), 235-248. https://dx.doi.org/10.32655/LTBA.21.1.06 0731-3500 https://hdl.handle.net/10356/178156 10.32655/LTBA.21.1.06 1 21 235 248 en Linguistics of the Tibeto-Burman Area © 1998 The Editor(s). All rights reserved. application/pdf |
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Arts and Humanities Ostapirat, Weera Tiddim Chin tones in historical perspective |
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Tiddim Chin shows three tones in smooth syllables (syllables ending with sonorants and vowels): rising, level and falling, which are numbered by Henderson (1965) as tones 1, 2 and 3 respectively. Long checked syllables (syllables with long vowels ending with stops) also occur with these three tones. Short checked syllables only occur with a low level tone, which has been considered to be an allotone of tone 3. For convenience of discussion in this article I will refer to this latter tone as tone 4. |
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University of California, Berkeley |
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University of California, Berkeley Ostapirat, Weera |
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Article |
| author |
Ostapirat, Weera |
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Ostapirat, Weera |
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Tiddim Chin tones in historical perspective |
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Tiddim Chin tones in historical perspective |
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Tiddim Chin tones in historical perspective |
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Tiddim Chin tones in historical perspective |
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Tiddim Chin tones in historical perspective |
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tiddim chin tones in historical perspective |
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2024 |
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https://hdl.handle.net/10356/178156 |
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