The infinite jest: Heri Dono's Punakawan and their metamorphosis throughout Indonesia's new order regime and reformasi era
Why was wayang a popular visual iconography amongst all sociopolitical/cultural circles in post-independent modern Indonesia, particularly during the Suharto regime? What relationships are explored and fostered between artist-audience in a period where arts censorship was at an all-time high, ver...
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| المؤلف الرئيسي: | |
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| مؤلفون آخرون: | |
| التنسيق: | Final Year Project |
| اللغة: | English |
| منشور في: |
Nanyang Technological University
2024
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://hdl.handle.net/10356/178270 |
| الوسوم: |
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| المؤسسة: | Nanyang Technological University |
| اللغة: | English |