故事“如何”新编 :论刘以鬯故事新编之女性角色重写 = Stories retold anew : an analysis of rewriting of the female roles in the "Newly Recomposed Stories" by Liu Yichang

“Newly Composed Stories” are known to be stories rewrote or restructured based on the traditional storyline. These stories are normally retold anew with the interpretation by the rewriting author of what the traditional stories edify. This article analyses the rewriting of the female roles in the “N...

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Main Author: 郑迦馨 Tay, Jia Xin
Other Authors: Yow Cheun Hoe
Format: Final Year Project
Language:Chinese
Published: 2010
Subjects:
Online Access:http://hdl.handle.net/10356/21109
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Institution: Nanyang Technological University
Language: Chinese
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spelling sg-ntu-dr.10356-211092019-12-10T11:34:15Z 故事“如何”新编 :论刘以鬯故事新编之女性角色重写 = Stories retold anew : an analysis of rewriting of the female roles in the "Newly Recomposed Stories" by Liu Yichang 郑迦馨 Tay, Jia Xin Yow Cheun Hoe School of Humanities and Social Sciences DRNTU::Humanities::Literature::Chinese “Newly Composed Stories” are known to be stories rewrote or restructured based on the traditional storyline. These stories are normally retold anew with the interpretation by the rewriting author of what the traditional stories edify. This article analyses the rewriting of the female roles in the “Newly Composed Stories” series by the highly notable Hong Kong writer Liu Yichang. Based on Rewriting and Intertextuality theory, the paper covers on how Mr. Liu Yichang recomposed the female roles in the following traditional stories: Romance of the West Chamber, The Legend of the White Snake, Journey to the West, and Adhere to the Fish. Recomposed under the theme “Gender and Power”, the female roles appear to be the stronger role and the one that take initiative in the relationship. The newly composed stories subverted the ideology of “male domination and female subordination” that congested the plot of traditional stories which was handed down from feudal society. Be it sexual desire or the development of the relationship, the female roles are being portray as a key figure in Liu Yichang’s recomposed story. This paper seeks to commentate how the rewriting of the female roles can reflect and redefine the relationship of gender and power in modern literature. Bachelor of Arts 2010-03-18T03:56:27Z 2010-03-18T03:56:27Z 2010 2010 Final Year Project (FYP) http://hdl.handle.net/10356/21109 zh Nanyang Technological University 38 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language Chinese
topic DRNTU::Humanities::Literature::Chinese
spellingShingle DRNTU::Humanities::Literature::Chinese
郑迦馨 Tay, Jia Xin
故事“如何”新编 :论刘以鬯故事新编之女性角色重写 = Stories retold anew : an analysis of rewriting of the female roles in the "Newly Recomposed Stories" by Liu Yichang
description “Newly Composed Stories” are known to be stories rewrote or restructured based on the traditional storyline. These stories are normally retold anew with the interpretation by the rewriting author of what the traditional stories edify. This article analyses the rewriting of the female roles in the “Newly Composed Stories” series by the highly notable Hong Kong writer Liu Yichang. Based on Rewriting and Intertextuality theory, the paper covers on how Mr. Liu Yichang recomposed the female roles in the following traditional stories: Romance of the West Chamber, The Legend of the White Snake, Journey to the West, and Adhere to the Fish. Recomposed under the theme “Gender and Power”, the female roles appear to be the stronger role and the one that take initiative in the relationship. The newly composed stories subverted the ideology of “male domination and female subordination” that congested the plot of traditional stories which was handed down from feudal society. Be it sexual desire or the development of the relationship, the female roles are being portray as a key figure in Liu Yichang’s recomposed story. This paper seeks to commentate how the rewriting of the female roles can reflect and redefine the relationship of gender and power in modern literature.
author2 Yow Cheun Hoe
author_facet Yow Cheun Hoe
郑迦馨 Tay, Jia Xin
format Final Year Project
author 郑迦馨 Tay, Jia Xin
author_sort 郑迦馨 Tay, Jia Xin
title 故事“如何”新编 :论刘以鬯故事新编之女性角色重写 = Stories retold anew : an analysis of rewriting of the female roles in the "Newly Recomposed Stories" by Liu Yichang
title_short 故事“如何”新编 :论刘以鬯故事新编之女性角色重写 = Stories retold anew : an analysis of rewriting of the female roles in the "Newly Recomposed Stories" by Liu Yichang
title_full 故事“如何”新编 :论刘以鬯故事新编之女性角色重写 = Stories retold anew : an analysis of rewriting of the female roles in the "Newly Recomposed Stories" by Liu Yichang
title_fullStr 故事“如何”新编 :论刘以鬯故事新编之女性角色重写 = Stories retold anew : an analysis of rewriting of the female roles in the "Newly Recomposed Stories" by Liu Yichang
title_full_unstemmed 故事“如何”新编 :论刘以鬯故事新编之女性角色重写 = Stories retold anew : an analysis of rewriting of the female roles in the "Newly Recomposed Stories" by Liu Yichang
title_sort 故事“如何”新编 :论刘以鬯故事新编之女性角色重写 = stories retold anew : an analysis of rewriting of the female roles in the "newly recomposed stories" by liu yichang
publishDate 2010
url http://hdl.handle.net/10356/21109
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