晚明妓女的“理想女性”形象 = The ideal image of late Ming courtesans

For many generations, the society has always looked at courtesans in a bad light. Prostitution has existed for a long time in history and yet, the perception that people had of them has never changed. The most we can see is the admiration of their beauty and talent. During the beginning of Ming, cou...

Full description

Saved in:
Bibliographic Details
Main Author: 黃碧瑩 Wong, Kymberlyn Pek Yen
Other Authors: Ngoi Guat Peng
Format: Final Year Project
Language:Chinese
Published: 2010
Subjects:
Online Access:http://hdl.handle.net/10356/21147
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: Nanyang Technological University
Language: Chinese
id sg-ntu-dr.10356-21147
record_format dspace
spelling sg-ntu-dr.10356-211472019-12-10T13:37:00Z 晚明妓女的“理想女性”形象 = The ideal image of late Ming courtesans 黃碧瑩 Wong, Kymberlyn Pek Yen Ngoi Guat Peng School of Humanities and Social Sciences DRNTU::Humanities::History::Asia::China For many generations, the society has always looked at courtesans in a bad light. Prostitution has existed for a long time in history and yet, the perception that people had of them has never changed. The most we can see is the admiration of their beauty and talent. During the beginning of Ming, courtesans were just mainly serving customers with food and wine during occasions. There was no need for them to perform their talents. This lasted till the end of Ming, where courtesans learned to compose poems after being actively involved with scholars. The courtesans’ image and social status rose when their beauty and talents were appreciated by them. Scholars started to create Flower Charts (hua-bang) to grade courtesans according to their beauty and talents and to group them into different criteria, only then did the beauty and talents of courtesans mattered. However, it was only till the emergence of Women culture and Caizi-jiaren, courtesans then became the ideal women of Ming scholars. With that, courtesans gradually rose in their social status and they formed a new social group called “Jiaren-Meinv”. This new social group exists out of social norms and uses new standards in deciding the members of that group. In there, scholars can feel free to pursue the ideal life of Caizi-jiaren without having to conform to social ethics. What is the reason that causes the images of Ming courtesans to turn positive? Why are they the ideal women in the eyes of scholars? Are there any interactions between courtesans and ladies of influential families? These are the areas that I have interest in and I hope to be able to understand the social morals and culture of the Late Ming society through the change in image of courtesans. Bachelor of Arts 2010-03-18T07:48:06Z 2010-03-18T07:48:06Z 2010 2010 Final Year Project (FYP) http://hdl.handle.net/10356/21147 zh Nanyang Technological University 55 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language Chinese
topic DRNTU::Humanities::History::Asia::China
spellingShingle DRNTU::Humanities::History::Asia::China
黃碧瑩 Wong, Kymberlyn Pek Yen
晚明妓女的“理想女性”形象 = The ideal image of late Ming courtesans
description For many generations, the society has always looked at courtesans in a bad light. Prostitution has existed for a long time in history and yet, the perception that people had of them has never changed. The most we can see is the admiration of their beauty and talent. During the beginning of Ming, courtesans were just mainly serving customers with food and wine during occasions. There was no need for them to perform their talents. This lasted till the end of Ming, where courtesans learned to compose poems after being actively involved with scholars. The courtesans’ image and social status rose when their beauty and talents were appreciated by them. Scholars started to create Flower Charts (hua-bang) to grade courtesans according to their beauty and talents and to group them into different criteria, only then did the beauty and talents of courtesans mattered. However, it was only till the emergence of Women culture and Caizi-jiaren, courtesans then became the ideal women of Ming scholars. With that, courtesans gradually rose in their social status and they formed a new social group called “Jiaren-Meinv”. This new social group exists out of social norms and uses new standards in deciding the members of that group. In there, scholars can feel free to pursue the ideal life of Caizi-jiaren without having to conform to social ethics. What is the reason that causes the images of Ming courtesans to turn positive? Why are they the ideal women in the eyes of scholars? Are there any interactions between courtesans and ladies of influential families? These are the areas that I have interest in and I hope to be able to understand the social morals and culture of the Late Ming society through the change in image of courtesans.
author2 Ngoi Guat Peng
author_facet Ngoi Guat Peng
黃碧瑩 Wong, Kymberlyn Pek Yen
format Final Year Project
author 黃碧瑩 Wong, Kymberlyn Pek Yen
author_sort 黃碧瑩 Wong, Kymberlyn Pek Yen
title 晚明妓女的“理想女性”形象 = The ideal image of late Ming courtesans
title_short 晚明妓女的“理想女性”形象 = The ideal image of late Ming courtesans
title_full 晚明妓女的“理想女性”形象 = The ideal image of late Ming courtesans
title_fullStr 晚明妓女的“理想女性”形象 = The ideal image of late Ming courtesans
title_full_unstemmed 晚明妓女的“理想女性”形象 = The ideal image of late Ming courtesans
title_sort 晚明妓女的“理想女性”形象 = the ideal image of late ming courtesans
publishDate 2010
url http://hdl.handle.net/10356/21147
_version_ 1681038367537496064