《吴吴山三妇合评牡丹亭还魂记》与 《才子牡丹亭》之女性文人意识 = The female literati's consciousness in 'The Three Wives of Wu Wushan's Commentary on The Peony Pavilion' and 'Talent One's Version of The Peony Pavilion'

• Main Author: 黄曼君 Low, Yanling
• Other Authors: Crossland-Guo Shuyun
• Format: Final Year Project
• Language: Chinese
• Published: 2010
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/21165
• Institution: Nanyang Technological University

汤显祖创作于明代的《牡丹亭》作为一部经典戏曲作品在明清两代十分受到闺 阁女性的欢迎，随着此剧的风行，明清女性通过评点抒发她们对《牡丹亭》的喜爱。 其中在清代出版，以夫妻合力评点、刊刻的形式创作的《吴吴山三妇合评牡丹亭还 魂记》与《才子牡丹亭》是两部显著的例子。其中展现的“女性文人意识”是它们得 以出版的重要元素。 The Peony Pavilion, written by Tang Xianzu of the late-Ming was very popular among the well-bred females in the Ming-Qing era and these Mi...