行旅中的白衣 ：论方娥真散文中的空间 = The travelling white : spaces in Fang E Zhen’s prose

• Main Author: 傅珣 Fu, Hsun
• Other Authors: Yow Cheun Hoe
• Format: Final Year Project
• Language: Chinese
• Published: 2010
• Subjects: DRNTU::Humanities::Language::Chinese
• Online Access: http://hdl.handle.net/10356/35468
• Institution: Nanyang Technological University

本论文以行旅文学的角度来研究方娥真的散文。方娥真是出生于马来西亚的女诗人、作家，1970年代在台湾文坛成名，最后在香港工作和生活。她的创作文类多样化，散文作品风格则温婉抒情，透露出的情感意识与其身处的空间及经历有着密切的关系。本论文发现，从一个在马来西亚、台湾时的天真少女转变成为香港时期的成熟都会女性，方娥真的散文展现了其对于人生、家国的想象有了不同。从早期的天真无邪、对爱情的憧憬，到后来对人生的透彻，她以独特的女性视角来看待人生、家国及爱情。因此，她的情感意识也随着不同时间、空间而转变：马来西亚对方娥真来说是一个“家”而非国度；她对于台湾的感情则奠基于最初她对“中国”的憧憬，后来却由于政治上的因素而幻灭；至于香港，则只是她生活及居住的地方。另外，方娥真是因为受温瑞安的影响才有“马来西亚——台湾——香港”这个行旅过程，也因为他而产生了许多对爱情的想象、憧憬。 This dissertation is a study on Fang E Zhen’s prose according to the travel writing perspective. Fang E Zhen is a Malaysian-Chinese female writer and poet who became famous in Taiwan literary world in 1970s. She settled down in Hong Kong in 1980s. She has different types of literary genres and her writing styles are gentle and graceful. Her sentiments to China, homeland and love have changed a lot since she was getting mature through the years. She has unique feminine viewpoint to her life, country, and love which are changing with different spaces and time gradually and simultaneously. To Fang E Zhen, Malaysia is her home rather than native land, she loves Taiwan because of her yearning to Chinese culture, but due to some political factors, there is disillusionment on her feelings to Taiwan; and Hong Kong is just a place she stayed. Besides, Wen Rui An's influence caused her to have a “Malaysia-Taiwan-Hong Kong” travelling process and also changing her imagination to love.