Where do all the lost things go?
If you were to ask me what first drew me to animation, I would say this – storytelling. At heart, I am a crafter of stories and a weaver of tales. For me, the story is the most crucial building block of any type of film. Without a solid story, a film can still be good, but it can never be extraordin...
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sg-ntu-dr.10356-394672019-12-10T10:58:53Z Where do all the lost things go? Hafizah Abdul Wahid Melanie Isabell Beisswenger School of Art, Design and Media DRNTU::Visual arts and music::Animation::3D If you were to ask me what first drew me to animation, I would say this – storytelling. At heart, I am a crafter of stories and a weaver of tales. For me, the story is the most crucial building block of any type of film. Without a solid story, a film can still be good, but it can never be extraordinary. But in a film, the story cannot exist by itself. Other elements such as the art direction, animation and music are just as crucial, and will complement if not strengthen the storytelling. While “Where Do All The Lost Things Go?” was a singular idea born out of my own imagination, it was the collaborative efforts of the four minds that make up Hakajober (our group name comprising of the first syllable of our first names) that gave my story its breath of life. As the storyteller, I aimed to create a unique and outstanding narrative. But as the director, it was also demanded of me to tell that story through a film whose elements integrated cohesively with the narrative and vice versa. Much of my efforts put into this film were to find that balance, and it is only with the brilliant contributions of my teammates that I was able to achieve this goal. “Where Do All The Lost Things Go?” is their story as much as it is mine. Bachelor of Fine Arts 2010-05-27T03:12:59Z 2010-05-27T03:12:59Z 2010 2010 Final Year Project (FYP) http://hdl.handle.net/10356/39467 en Nanyang Technological University 18 p. application/pdf |
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DRNTU::Visual arts and music::Animation::3D Hafizah Abdul Wahid Where do all the lost things go? |
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If you were to ask me what first drew me to animation, I would say this – storytelling. At heart, I am a crafter of stories and a weaver of tales. For me, the story is the most crucial building block of any type of film. Without a solid story, a film can still be good, but it can never be extraordinary. But in a film, the story cannot exist by itself. Other elements such as the art direction, animation and music are just as crucial, and will complement if not strengthen the storytelling. While “Where Do All The Lost Things Go?” was a singular idea born out of my own imagination, it was the collaborative efforts of the four minds that make up Hakajober (our group name comprising of the first syllable of our first names) that gave my story its breath of life. As the storyteller, I aimed to create a unique and outstanding narrative. But as the director, it was also demanded of me to tell that story through a film whose elements integrated cohesively with the narrative and vice versa. Much of my efforts put into this film were to find that balance, and it is only with the brilliant contributions of my teammates that I was able to achieve this goal. “Where Do All The Lost Things Go?” is their story as much as it is mine. |
author2 |
Melanie Isabell Beisswenger |
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Melanie Isabell Beisswenger Hafizah Abdul Wahid |
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Final Year Project |
author |
Hafizah Abdul Wahid |
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Hafizah Abdul Wahid |
title |
Where do all the lost things go? |
title_short |
Where do all the lost things go? |
title_full |
Where do all the lost things go? |
title_fullStr |
Where do all the lost things go? |
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Where do all the lost things go? |
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where do all the lost things go? |
publishDate |
2010 |
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http://hdl.handle.net/10356/39467 |
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1681035445209661440 |