Chinese rock : the role of print media.
This study focuses on the role of print media in the development of Chinese rock music. This problem is seen within the broad context of the media reform in China and the development of Chinese rock music between 1987 and 1996. Chinese rock is found to be a subculture deviating from the mainstream...
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sg-ntu-dr.10356-425672019-12-10T14:47:08Z Chinese rock : the role of print media. Shen, Hong. Wee Kim Wee School of Communication and Information Duncan Holaday DRNTU::Social sciences::Mass media This study focuses on the role of print media in the development of Chinese rock music. This problem is seen within the broad context of the media reform in China and the development of Chinese rock music between 1987 and 1996. Chinese rock is found to be a subculture deviating from the mainstream ideological discourse and the traditional cultural values in Chinese society. The state authorities adopted a cultural policy which could be characterized as unfavorable towards rock music, attempting to marginalize and de-legitimize the subculture. Using content analysis and in-depth interviews, this study discovers that instead of reflecting the authorities' attitude towards rock, the media in China, in fact, recognized and to a large extent accepted this deviant rock subculture during the period between 1987 and 1996. This study adds to the understanding of the redefining of the role of media in a transitional Chinese society. Master of Communication Studies 2010-12-30T05:51:56Z 2010-12-30T05:51:56Z 1998 1998 Thesis http://hdl.handle.net/10356/42567 en Nanyang Technological University 179 p. application/pdf |
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DRNTU::Social sciences::Mass media Shen, Hong. Chinese rock : the role of print media. |
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This study focuses on the role of print media in the development of Chinese rock music. This problem is seen within the broad context of the media reform in China and the development of Chinese rock music between 1987 and 1996. Chinese rock is found to be a subculture deviating from the mainstream
ideological discourse and the traditional cultural values in Chinese society. The
state authorities adopted a cultural policy which could be characterized as unfavorable towards rock music, attempting to marginalize and de-legitimize the subculture.
Using content analysis and in-depth interviews, this study discovers that instead of reflecting the authorities' attitude towards rock, the media in China, in
fact, recognized and to a large extent accepted this deviant rock subculture during
the period between 1987 and 1996. This study adds to the understanding of the redefining
of the role of media in a transitional Chinese society. |
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Wee Kim Wee School of Communication and Information |
author_facet |
Wee Kim Wee School of Communication and Information Shen, Hong. |
format |
Theses and Dissertations |
author |
Shen, Hong. |
author_sort |
Shen, Hong. |
title |
Chinese rock : the role of print media. |
title_short |
Chinese rock : the role of print media. |
title_full |
Chinese rock : the role of print media. |
title_fullStr |
Chinese rock : the role of print media. |
title_full_unstemmed |
Chinese rock : the role of print media. |
title_sort |
chinese rock : the role of print media. |
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2010 |
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http://hdl.handle.net/10356/42567 |
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1681042470446563328 |