从小说到电影 ：论《长恨歌》里的上海女子 = From novel to movie : a study on the ladies of Shanghai in the Everlasting Regret

• Main Author: 蔡美琪 Chua, Mei Qi
• Other Authors: Crossland-Guo Shuyun
• Format: Final Year Project
• Language: Chinese
• Published: 2011
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/43636
• Institution: Nanyang Technological University

张爱玲笔下那些周旋于3、40年代十里洋场繁华中的上海女子一直是上海女性最具代表性的形象标志。之后的作家都不曾动摇或改变这些刻有张爱玲印记的上海女子的形象。惟有后起文坛之秀王安忆的长篇小说《长恨歌》才成功地为这些上海女子进行了叙写与衔接。而王安忆这位曾经经历文革的洗礼和中国改革开放发展的女性作家，凭着自己的女性经验和叙事风格为上海女子进行了女性主体的还原。本文着重针对小说《长恨歌》中王安忆的女性叙事下的上海女子进行研究，同时也对有同志背景的香港男性导演关锦鹏所改编的电影版《长恨歌》进行论述，致力于研究两位性别不同、文化背景迥异的作者，如何再现出不同性别叙事角度下的王琦瑶。此外，上海都市对于上海女子精明功利的性格风情的影响也是本文研究的焦点所在。同时，本文也将探讨女性的身体在小说文本中如何被男性霸权社会重构与改造。而最后再进一步针对电影《长恨歌》中香港与上海这种双城相互隐喻的表现手法来带出香港导演的文化想象。This research compares the portrayal of the leading female character appeared in Wang Anyi’s novel, The Everlasting Regret, with the movie version bearing the same title conducted by Stanley Kwan. My thesis will show how different gender and cultural background of the author/conductor has influenced and affected the portrayal of the main female character Wang Qiyao in the book and the movie. This research will also examine the influence of the city setting of Shanghai has moulded Wang Qiyao into a shrewd Shanghai femme fatale. I will also discuss how the female body of Wang Qiyao has been transformed and reconstructed by the masculine social hegemony in the movie.