神话、英雄、图腾 ：黎紫书小说里的民俗文化意蕴 = Myth, hero, totem : the folklore implication of Lizishu’s novel

• Main Author: 梁慧敏 Liong, Hui Min
• Other Authors: Ngoi Guat Peng
• Format: Final Year Project
• Language: Chinese
• Published: 2011
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/43638
• Institution: Nanyang Technological University

黎紫书自第三届花踪文学奖开始崭露头角，继黄锦树、张贵兴、李天葆等九零年代马华文界大将的后起之秀，她以独特的创作风格在马华文坛上独树一帜。黎紫书对文字的驾驭能力、娴熟的风格，再加上她对创作的自觉意识，让她成为马华文学的传奇作家；不仅在国内，甚至在海外都大获肯定。黎紫书在小说里所触碰的民俗符号——神话、英雄、禁忌与图腾，不纯粹是南洋地方特色的经营，她对于马来西亚在地的民俗标志不仅止于景观化的描写，其背后的隐喻指涉了整个马华族群的历史和命运。马来西亚华人这个复杂的身份本来就承载了许多历史与文化的包袱，而这种内化了的华族民俗特质在黎紫书小说里得到充分的展现。本文以黎紫书的三篇小说〈山瘟〉、〈州府纪略〉、〈国北边陲〉为例，透过对它们的分析来探讨文学与民俗的“联姻”，溯源黎紫书创作背后的传统传承，进而看出马来西亚华人的“民族神话”型态和面貌。Lizishu became famous after she had been awarded The 3rd Huazong Literature Award. Her distinguish writing style and consciousness makes her became the legend of Malaysia Chinese literature arena. The Chinese folklore symbols (myth, hero, totem, taboo) in Lizishu’s novels are not only the unique features of Malaysia; they are actually metaphors of Chinese Malaysian as well. The complicated identity of Chinese Malaysian is revealed in many novels of her. This thesis will be analyzing 3 of her novels to comprehend the folklore implication to Chinese Malaysian.