多面“性” ：英培安《骚动》中的“性”叙事 = diverseX : the sexual narratives in Yeng Pway Ngon’s Saodong (Commotion)

• Main Author: 刘子佳 Liu, Zijia
• Other Authors: Quah Sy Ren
• Format: Final Year Project
• Language: Chinese
• Published: 2011
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/43643
• Institution: Nanyang Technological University

新加坡本地作家英培安，经历丰富，著述颇多，作品大胆创新。尤其是自2002年以来，对其作品的研究分析愈加广泛，涉及层面多元。英培安迄今出版的四部长篇小说有个共同点，那就是“性”叙事的介入，或多或少，变换丰富。不过目前对于英培安作品的研究还未有从“性”叙事的角度切入的尝试。本文通过其中大量涉及“性”叙事的长篇小说文本——《骚动》，窥视文学里的“性”表述机制、策略，而这些“性”叙事作为“文学武器”，究竟服务于什么样的目的，又有怎样的内在理路。亦在此基础上，对于其中的“性”叙事进行分类分析，展示其多样的特点，以及《骚动》中“性”叙事的多面性。Singapore writer, Yeng Pway Ngon is known for his many bold and innovative literary works. Analyses of his works have grown, especially since 2002, both in number and in depth. Yeng Pway Ngon has published four full-length novels thus far, all of which bear a similarity, which is the use of sexual narratives in his stories. His varied use of sexual narratives, some of which subtle while others more palpable, differs with every novel. Nevertheless, past analyses of his novels have yet to focus on his use of the sexual narratives. This paper therefore, seeks to look into the sexual expression mechanism and strategy of Yeng Pway Ngon’s novels, with focus on Saodong, one of the four full-length novels, due to its considerable use of sexual narratives. The paper also attempts to classify these sexual narrations and explore how, as “literary weapons”, these narrations function and come about. And on this note, it hopes to bring forth the sophistication and the various façade of Yeng Pway Ngon’s sexual narration.