Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.

This paper focuses on the works of Jack Clayton, a prominent British director whose films gained little critical reception. In analysing The Innocents and Our Mother's House, arguably his best and worst films respectively, this paper seeks to uncover what made Clayton such a controversial direc...

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Main Author:	Arifin, Nursharini.
Other Authors:	Terence Richard Dawson
Format:	Final Year Project
Language:	English
Published:	2011
Subjects:	DRNTU::Humanities::Literature::English
Online Access:	http://hdl.handle.net/10356/44308
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Institution:	Nanyang Technological University
Language:	English

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spelling	sg-ntu-dr.10356-443082019-12-10T12:33:05Z Clayton diagnosed : rendering objectivity in the innocents and our mother’s house. Arifin, Nursharini. Terence Richard Dawson School of Humanities and Social Sciences DRNTU::Humanities::Literature::English This paper focuses on the works of Jack Clayton, a prominent British director whose films gained little critical reception. In analysing The Innocents and Our Mother's House, arguably his best and worst films respectively, this paper seeks to uncover what made Clayton such a controversial directorial figure in the turbulent swinging sixties era of British society. From his groundbreaking use of “dissolves” to his exploration of childhood innocence, faith and spirituality and the tension between dream and reality, Clayton’s films leave everything to the imagination. Bachelor of Arts 2011-06-01T01:24:26Z 2011-06-01T01:24:26Z 2011 2011 Final Year Project (FYP) http://hdl.handle.net/10356/44308 en Nanyang Technological University 35 p. application/pdf
institution	Nanyang Technological University
building	NTU Library
country	Singapore
collection	DR-NTU
language	English
topic	DRNTU::Humanities::Literature::English
spellingShingle	DRNTU::Humanities::Literature::English Arifin, Nursharini. Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.
description	This paper focuses on the works of Jack Clayton, a prominent British director whose films gained little critical reception. In analysing The Innocents and Our Mother's House, arguably his best and worst films respectively, this paper seeks to uncover what made Clayton such a controversial directorial figure in the turbulent swinging sixties era of British society. From his groundbreaking use of “dissolves” to his exploration of childhood innocence, faith and spirituality and the tension between dream and reality, Clayton’s films leave everything to the imagination.
author2	Terence Richard Dawson
author_facet	Terence Richard Dawson Arifin, Nursharini.
format	Final Year Project
author	Arifin, Nursharini.
author_sort	Arifin, Nursharini.
title	Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.
title_short	Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.
title_full	Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.
title_fullStr	Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.
title_full_unstemmed	Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.
title_sort	clayton diagnosed : rendering objectivity in the innocents and our mother’s house.
publishDate	2011
url	http://hdl.handle.net/10356/44308
_version_	1681038051421192192

Clayton diagnosed : rendering objectivity in the innocents and our mother’s house.

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