On Singaporean cinema : or in(visible) boundaries.

This essay examines the ‘imagined’ boundaries of Singaporean cinema, subverts it, and asserts that the boundaries are in(visible) simply because it is a concept that rests on fluid definitions therefore there is difficulty in determining its structure. It engages an inward-looking stance at Singapor...

Full description

Saved in:
Bibliographic Details
Main Author: Lee, Veronica Mun Ting.
Other Authors: Jeremy Fernando
Format: Final Year Project
Language:English
Published: 2011
Subjects:
Online Access:http://hdl.handle.net/10356/44437
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: Nanyang Technological University
Language: English
id sg-ntu-dr.10356-44437
record_format dspace
spelling sg-ntu-dr.10356-444372019-12-10T13:06:58Z On Singaporean cinema : or in(visible) boundaries. Lee, Veronica Mun Ting. Jeremy Fernando School of Humanities and Social Sciences DRNTU::Humanities::Literature::Singapore This essay examines the ‘imagined’ boundaries of Singaporean cinema, subverts it, and asserts that the boundaries are in(visible) simply because it is a concept that rests on fluid definitions therefore there is difficulty in determining its structure. It engages an inward-looking stance at Singaporean cinema, engages in its intricacies, to challenge the static concept of national cinema, which ultimately demonstrates how the notion of one single national cinema no longer qualifies. Bachelor of Arts 2011-06-01T08:04:10Z 2011-06-01T08:04:10Z 2011 2011 Final Year Project (FYP) http://hdl.handle.net/10356/44437 en Nanyang Technological University 32 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities::Literature::Singapore
spellingShingle DRNTU::Humanities::Literature::Singapore
Lee, Veronica Mun Ting.
On Singaporean cinema : or in(visible) boundaries.
description This essay examines the ‘imagined’ boundaries of Singaporean cinema, subverts it, and asserts that the boundaries are in(visible) simply because it is a concept that rests on fluid definitions therefore there is difficulty in determining its structure. It engages an inward-looking stance at Singaporean cinema, engages in its intricacies, to challenge the static concept of national cinema, which ultimately demonstrates how the notion of one single national cinema no longer qualifies.
author2 Jeremy Fernando
author_facet Jeremy Fernando
Lee, Veronica Mun Ting.
format Final Year Project
author Lee, Veronica Mun Ting.
author_sort Lee, Veronica Mun Ting.
title On Singaporean cinema : or in(visible) boundaries.
title_short On Singaporean cinema : or in(visible) boundaries.
title_full On Singaporean cinema : or in(visible) boundaries.
title_fullStr On Singaporean cinema : or in(visible) boundaries.
title_full_unstemmed On Singaporean cinema : or in(visible) boundaries.
title_sort on singaporean cinema : or in(visible) boundaries.
publishDate 2011
url http://hdl.handle.net/10356/44437
_version_ 1681038369044299776