Dance photography : surpassing the reality of movements.

This paper seeks to introduce dance photography as a product of the final hyperreal, making a clean break from the ‘conventional’ genre of photography that strives to capture the reality of movements. In order for dance photography to simulate apparent qualities belonging to pure dance movements, th...

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Main Author:	Tan, Selina Hui Juan.
Other Authors:	School of Humanities and Social Sciences
Format:	Final Year Project
Language:	English
Published:	2011
Subjects:	DRNTU::Social sciences::Journalism::Photojournalism
Online Access:	http://hdl.handle.net/10356/45873
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Institution:	Nanyang Technological University
Language:	English

id	sg-ntu-dr.10356-45873
record_format	dspace
spelling	sg-ntu-dr.10356-458732019-12-10T12:32:33Z Dance photography : surpassing the reality of movements. Tan, Selina Hui Juan. School of Humanities and Social Sciences Professor Jessie Morgan-Owens DRNTU::Social sciences::Journalism::Photojournalism This paper seeks to introduce dance photography as a product of the final hyperreal, making a clean break from the ‘conventional’ genre of photography that strives to capture the reality of movements. In order for dance photography to simulate apparent qualities belonging to pure dance movements, the photographer has to consciously imbue illusion into his works, thereby surpassing the reality of motion through the imagination of the viewer. Bachelor of Arts 2011-06-22T09:08:17Z 2011-06-22T09:08:17Z 2011 2011 Final Year Project (FYP) http://hdl.handle.net/10356/45873 en Nanyang Technological University 27 p. application/pdf
institution	Nanyang Technological University
building	NTU Library
country	Singapore
collection	DR-NTU
language	English
topic	DRNTU::Social sciences::Journalism::Photojournalism
spellingShingle	DRNTU::Social sciences::Journalism::Photojournalism Tan, Selina Hui Juan. Dance photography : surpassing the reality of movements.
description	This paper seeks to introduce dance photography as a product of the final hyperreal, making a clean break from the ‘conventional’ genre of photography that strives to capture the reality of movements. In order for dance photography to simulate apparent qualities belonging to pure dance movements, the photographer has to consciously imbue illusion into his works, thereby surpassing the reality of motion through the imagination of the viewer.
author2	School of Humanities and Social Sciences
author_facet	School of Humanities and Social Sciences Tan, Selina Hui Juan.
format	Final Year Project
author	Tan, Selina Hui Juan.
author_sort	Tan, Selina Hui Juan.
title	Dance photography : surpassing the reality of movements.
title_short	Dance photography : surpassing the reality of movements.
title_full	Dance photography : surpassing the reality of movements.
title_fullStr	Dance photography : surpassing the reality of movements.
title_full_unstemmed	Dance photography : surpassing the reality of movements.
title_sort	dance photography : surpassing the reality of movements.
publishDate	2011
url	http://hdl.handle.net/10356/45873
_version_	1681046599275380736

Dance photography : surpassing the reality of movements.

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