寻根语境下的地方再现：以贾平凹与莫言为例 = The representation of place in the context of root-seeking : a study on Jia Pingwa and Mo Yan

• Main Author: 张一冰 Zhang, Yibing
• Other Authors: Crossland-Guo Shuyun
• Format: Theses and Dissertations
• Language: Chinese
• Published: 2011
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: https://hdl.handle.net/10356/46331
• Institution: Nanyang Technological University

本文参照人本主义地理学的“地方”理论，从“再现”视角出发，以“地方再现”（the representation of place）为研究切入点，分别考察在文化寻根的语境之中，贾平凹和莫言如何通过语言之维和文学想象，建构出“商州”和“高密东北乡”这两个文学地理空间，并将二者进行了比较。本文认为，贾平凹对商州的再现，偏重于情感印象式，是意象叙事，而莫言对高密东北乡的再现，偏重于身体感官式，是感觉叙事。笔者从商州景观的再现和文学商州的变迁这两个方面来考察贾平凹对商州的书写，而对莫言的分析，则借助“感觉地理学”的启发，从视觉、听觉、嗅觉这三个身体感觉的维度考察莫言对高密东北乡的再现。笔者认为，对地方的再现是与两位作家的生存体验、审美体验、空间体验联系在一起的，是一种空间生产。 This dissertation, a comparative study on Jia Pingwa and Mo Yan, explores how Jia Pingwa and Mo Yan construct two literary spaces “Shangzhou” and “Gaomi northeast country” through language and literary imagination in the context of root-seeking, with the reliance on the theory of place in humanistic geography and theory of representation. I suggest that Jia Pingwa’s representation of Shangzhou with a focus on emotional impression is basically image narrative, whereas Mo Yan’ representation of Gaomi northeast country focuses more on senses and is a kind of sensory narrative. The study discusses Jia Pingwa’s writings from the perspectives of the representation of Shangzhou landscape and the transition of literary Shangzhou. And, inspired by sensuous geographies, the dissertation analyzes Mo Yan’ representation of Gaomi northeast country in the perspectives of vision, hearing, and smell. I argue that the representation of place is production of space under the influence of the authors’ living experiences, aesthetic experiences, space experiences.