明代杂剧中的僧尼形象研究 = The protrayal of monk and nun in traditional Ming opera (Zaju)

• Main Author: 尹倩怡 Yin, Qian Yi
• Other Authors: Crossland-Guo Shuyun
• Format: Final Year Project
• Language: Chinese
• Published: 2012
• Subjects: DRNTU::Humanities
• Online Access: http://hdl.handle.net/10356/48244
• Institution: Nanyang Technological University

中国古代文学中的僧尼形象作为一个独特的形象群体沿着时代的长河一路发展而来。僧尼形象在魏晋南北朝的传记文学、隋唐五代的传奇小说和宋金元的戏曲的演变过程中，呈现出了独特的面貌，形成了鲜明的艺术传统。至明代，杂剧中的僧尼形象更是以其丰富性和多元性为后世所熟识。然而，关于明代杂剧中僧尼形象的研究尚且不足。对明代杂剧中的僧尼形象的考察不仅可更全面地呈现出明代的杂剧风貌，也对把握僧尼群体在现实社会、文化、宗教等方方面面的发展有着重要意义。 本文从三个部分入手。一、自魏晋时期僧尼形象初现开始，逐步爬梳此形象的形成、发展与变化。二、在整理明代杂剧中有关僧尼形象的篇目的基础上，对各种形象进行分类解析。三、以明代的政治、经济、思想、宗教、社会作为历史背景，探讨明代杂剧中僧尼形象的社会成因与审美价值。There has been a very long period since the first appearance of Buddhist monk and nun images in traditional Chinese literature. These images have developed extensively from Wei Dynasty to Yuan Dynasty. In Ming Dynasty, the appearance of Buddhist monk and nun images in traditional Zaju had increase drastically. The diversity and variety of these images are not seen in any forms of literature in the past. However, current studies on it are highly inadequate. The author believes the study of Buddhist monk and nun images in traditional Zaju of Ming Dynasty will not only provide a holistic view of Zaju, it can also contribute to the understanding of monks and nuns in the reality world. The basic structure of this thesis includes: 1) Collation of Buddhist monk and nun images since the Wei Dynasty. 2) Consolidate and analyze the images of Buddhist monk and nun in Ming Zaju. 3) Discuss the social and political reasons that contribute to the formation of these images and also the aesthetic value of it.