《陶庵梦忆》中的晚明社会风貌与张岱的自我形象 = Late Ming social landscape and Zhang Dai's self image in Tao'an Mengyi

• Main Author: 白巧玲 Bai, Qiaoling
• Other Authors: I Lo-fen
• Format: Final Year Project
• Language: Chinese
• Published: 2012
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/48296
• Institution: Nanyang Technological University

张岱是明清之际，文学、史学和艺术诸方面都取得卓越成就的文学家、史学家以及艺术家，他一生的著述颇多，其中包括了《陶庵梦忆》。《陶庵梦忆》全书共八卷，以回忆录的形式追述往昔的繁华。就如同他在《陶庵梦忆·自序》里所写的，此书不以年月为序，不同于年谱；不分门别类，以区别于志林。所以此书内容庞杂，涉及面甚广，但是大致上可以从题材上分为：描叙山水风景、民俗风情、能工巧匠、说书演戏、艺术鉴赏以及美食茶水这六类，合计共有123篇。本文将解析书名“陶庵”、“梦”和“忆”，并采用文本细读的方式分析张岱在《陶庵梦忆》中所反映出的晚明社会风貌。此外，本文也将尝试分析张岱在书写的同时如何塑造自我的形象。Zhang Dai was a literati, who had outstanding achievements in the literature, history and arts during Ming-Qing transition time. Throughout his life, he had written an abundance of works, including Tao’an mengyi. Zhang’s Tao’an mengyi has eight volumes and a total of 123 xiaopinwen. Tao’an meng yi was a compilation of various memoir-like passages as he wrote about his life back in late Ming. Just as what he wrote in the preface of this book, this book is not organised and categorized in chronological order. Therefore, it looks complex as it involves numerous contents. However, we can organise it into six subjects: description of landscapes, of folk customs, of craftsmen, of story teller and actors, of art appreciation and appreciation of tea and gourmet. In this project, I would firstly analyse the book title, “Tao’an”, “meng” and “yi”. By using the method of Close Reading, I would analyse the social landscape of late Ming and his self-image in Tao’an mengyi. Zhang Dai expressed his recognition and yearning towards late Ming society through the depiction of late Ming society.