“I am, in reality, the founder of a new province of writing” : narrative performance and consumption in Henry Fielding’s Tom Jones.

Critics of 'Tom Jones' have derided the ‘intrusive’ and ‘garrulous’ narrator, or otherwise attempted to justify the authorial voice of the narrator as ancillary to the ‘main’ plot of Tom’s story. In this essay, I propose to reconceive an alternative aspect of the explicit narratorial activ...

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Main Author: Yeo, Shu Fang.
Other Authors: School of Humanities and Social Sciences
Format: Final Year Project
Language:English
Published: 2012
Subjects:
Online Access:http://hdl.handle.net/10356/49530
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-495302019-12-10T10:54:18Z “I am, in reality, the founder of a new province of writing” : narrative performance and consumption in Henry Fielding’s Tom Jones. Yeo, Shu Fang. School of Humanities and Social Sciences Samara Anne Cahill DRNTU::Humanities::Literature::English Critics of 'Tom Jones' have derided the ‘intrusive’ and ‘garrulous’ narrator, or otherwise attempted to justify the authorial voice of the narrator as ancillary to the ‘main’ plot of Tom’s story. In this essay, I propose to reconceive an alternative aspect of the explicit narratorial activity by suggesting that in 'Tom Jones', to perceive well is first to be able to appreciate precisely the artifice of the narrator in creating his narrative world. In doing so, I argue that the instances of narrative performances constantly figure narrative as desirable, compelling and as a sign of cultural capital, thus encoding a self-valorisation of narrative that reflects Fielding’s obligatory but necessary attempts to advertise his tasteful novelistic practice. Bachelor of Arts 2012-05-21T07:42:46Z 2012-05-21T07:42:46Z 2012 2012 Final Year Project (FYP) http://hdl.handle.net/10356/49530 en Nanyang Technological University 32 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities::Literature::English
spellingShingle DRNTU::Humanities::Literature::English
Yeo, Shu Fang.
“I am, in reality, the founder of a new province of writing” : narrative performance and consumption in Henry Fielding’s Tom Jones.
description Critics of 'Tom Jones' have derided the ‘intrusive’ and ‘garrulous’ narrator, or otherwise attempted to justify the authorial voice of the narrator as ancillary to the ‘main’ plot of Tom’s story. In this essay, I propose to reconceive an alternative aspect of the explicit narratorial activity by suggesting that in 'Tom Jones', to perceive well is first to be able to appreciate precisely the artifice of the narrator in creating his narrative world. In doing so, I argue that the instances of narrative performances constantly figure narrative as desirable, compelling and as a sign of cultural capital, thus encoding a self-valorisation of narrative that reflects Fielding’s obligatory but necessary attempts to advertise his tasteful novelistic practice.
author2 School of Humanities and Social Sciences
author_facet School of Humanities and Social Sciences
Yeo, Shu Fang.
format Final Year Project
author Yeo, Shu Fang.
author_sort Yeo, Shu Fang.
title “I am, in reality, the founder of a new province of writing” : narrative performance and consumption in Henry Fielding’s Tom Jones.
title_short “I am, in reality, the founder of a new province of writing” : narrative performance and consumption in Henry Fielding’s Tom Jones.
title_full “I am, in reality, the founder of a new province of writing” : narrative performance and consumption in Henry Fielding’s Tom Jones.
title_fullStr “I am, in reality, the founder of a new province of writing” : narrative performance and consumption in Henry Fielding’s Tom Jones.
title_full_unstemmed “I am, in reality, the founder of a new province of writing” : narrative performance and consumption in Henry Fielding’s Tom Jones.
title_sort “i am, in reality, the founder of a new province of writing” : narrative performance and consumption in henry fielding’s tom jones.
publishDate 2012
url http://hdl.handle.net/10356/49530
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