从闽语歌谣探讨中国民间婚姻婚俗 = The study of marriage cultures through Min dialect folk songs

• Main Author: 刘甄榕 Liew, Yvonne Zhen Rong
• Other Authors: Crossland-Guo Shuyun
• Format: Final Year Project
• Language: Chinese
• Published: 2013
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/51283
• Institution: Nanyang Technological University

闽语歌谣，作为区域性的文学创作，是闽台地区人民集体智慧的结晶，也反映了其社会面貌，拥有宝贵的文化与艺术价值。婚俗，是通过历史的演变，世代相传、延续与改变而成的传统婚姻习俗。从婚俗现象中，能再现当地人民的意识形态，以及当时普遍存在的社会风貌。在学界上，有一些学者对个别地区的闽语歌谣进行了收集与整理工作，也有许多学者对华族的婚俗文化现象进行研究与探讨，但把二者结合来分析的学者却微乎其微。 文化现象，是人们意识形态的写照，也是人们言行上的度量衡，两者之间往往存在着微妙的互补关系，反复地相互影响，而形成了一种不变的循环。本文希望对与婚姻婚俗相关的闽语歌谣与研究成果进行梳理，并且从民俗学的角度去挖掘和探讨闽方言歌谣中的婚俗文化现象，同时尝试论证这个现象背后的所有的意识形态与社会面貌。 Min dialect folk song is a collective literature work that reflects the regional society. It is the profound wisdom of the residents and has great cultural and artistic value. Chinese marriage culture is formed, passed down and adapted through the course of civilization. The phenomenon in marriage culture represents the mindsets of the residents as well as the normality of the society. Some scholars have collated Min dialect folk songs among the region, while many have studied and analyze Chinese marriage culture. However, there are few who attempted to see Chinese marriage culture though Min dialect folk songs. Culture acts as a boundary to a society’s value and behavior. On the other hand, a society’s value and behavior also shape and create culture. Both elements coexist in a unique, inter-influential cycle, which is often represented and portrayed in folk songs. This study will attempt to collate and discuss the marriage cultural practices presented in Min dialect folk songs, and further analyze the social values and phenomenon that is reflected in these practices.