新加坡华语剧场中的叛逆少年 ：TOY肥料厂研究（1990－2012）= The rebellious youth of Singapore chinese theatre : a study on toy factory (1990-2012)

• Main Author: 林诗慧 Lim, Shi Hui
• Other Authors: Quah Sy Ren
• Format: Final Year Project
• Language: Chinese
• Published: 2013
• Subjects: DRNTU::Humanities::Drama
• Online Access: http://hdl.handle.net/10356/51329
• Institution: Nanyang Technological University

近年来新加坡华语剧场有起死回生的现象，华语音乐剧的推出吸引了大批观众纷纷走入剧院。而制作这些叫好叫座的音乐剧的就是TOY肥料厂。1990 年成立的TOY肥料厂历经华语剧场的起起落落，这22年来他们除了音乐剧以外，其实也制作了许许多多不同类别的剧作。他们以强烈的实验性质，大胆前卫的 叛逆风格，制作了不少视觉效果强烈的作品。而这些剧作不仅在本地戏剧大奖中榜上有名，而且还被选为新加坡代表参与国外的艺术节表演。 本论文将全面研究TOY肥料厂，从介绍他们的成立，到分析他们的剧作，并探讨这些类别的剧作在本地华语剧场中的意义。本文将剧作分类：具争议性 的剧作、传承传统艺术文化的、以及大众口味的音乐剧。此外也会讨论剧团的艺术总监吴文德，他的艺术理念，以及领导TOY肥料厂的艺术方针。In recent years, Singapore Chinese Theatre scene seems to have risen from the ashes. The introduction of Chinese musicals has drawn large crowds back into theatres; and the group responsible for these astounding musicals, is Toy Factory. Having 22 years of rich experience, Toy Factory not only produces musicals, but also other genres of theatrical performances. Using strong, experimental approaches as well as daring, rebellious style, they have produced numerous productions of strong visual effects. This dissertation will be a study on Toy Factory, from the introduction of their establishment, to a detailed analysis of their productions in the local Chinese theatrical scene. On top of that, it will also entail a discussion of Toy Factory’s artistic director Goh Boon Teck, his ideal for the arts, and his artistic guidance of Toy Factory.