男性穿越小说的历史风情 ：以《官居一品为例》 = The historical charisma of male 'Time Travelling' fictional writing : using Guan Ju Yi Pin as an example

• Main Author: 卢嘉煜 Lu, Jiayu
• Other Authors: School of Humanities and Social Sciences
• Format: Final Year Project
• Language: Chinese
• Published: 2013
• Subjects: DRNTU::Humanities
• Online Access: http://hdl.handle.net/10356/51501
• Institution: Nanyang Technological University

自从《宫锁心玉》和《步步惊心》两大穿越电视剧席卷中华大地之后，与穿越创作相关的研究也如雨后春笋般大量涌现，由于两部电视剧的网络原著皆出自女性作者之手，不免使穿越研究主要局限于女性的视角。时下的男性穿越作品不断有优秀作品问世，俨然已经形成了一种截然不同于女性穿越的风格，可是学术界目前尚未将男性穿越从女性所主导的穿越研究中区分出来并进行独立的深入研究。 After the publication of the two popular TV series Gong Suo Xin Yu and Bu Bu Jing Xin in China, a large number of researches related to the key word „time travelling‟ had sprung up. However, the outputs are almost restricted in female‟s perspective since the scripts of these two shows were adapted based on network female fictional writings. Nowadays, male authors have also produced a lot of good „time travelling‟ fictions. It has formed a totally different style of literature compared to those from female authors. However, male „time travelling‟ fictional writings have not been academically separated from the common definition which was defined according to the researches on mainly female fictional writings. Thus male „time travelling‟ fictional writings have not yet been reviewed independently. This thesis describes the phylogeny of „time travelling‟ fictions and its current situation of both male and female products. Guan Ju Yi Pin is then chosen as the representative to explore the characteristics of male „time travelling‟ fictional writings. Hence to come out with a conclusion that the hypostatic difference between male and female fictional writings is the difference between historical fiction and romantic fiction. In this way, this thesis aims to give male fictional writings an equal and independent status in future academic researches on ‟time travelling‟.