The embrace of nothing : shifting representations of the absurd from Samuel Beckett to Sofia Coppola.
The essay looks at the shifting presentation of the Absurd through the works of playwright Samuel Beckett and film director Sofia Coppola, specifically looking at Beckett’s Waiting For Godot, Endgame and Krapp’s Last Tape, and Coppola’s Marie Antoinette, Lost In Translation and Somewhere. Absurdist...
Saved in:
Main Author: | Nurul Izzati Liyana Abdul Haris |
---|---|
Other Authors: | School of Humanities and Social Sciences |
Format: | Final Year Project |
Language: | Chinese |
Published: |
2013
|
Subjects: | |
Online Access: | http://hdl.handle.net/10356/52162 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | Nanyang Technological University |
Language: | Chinese |
Similar Items
-
Samuel Beckett and moral instruction
by: Wong, Shi Qi
Published: (2021) -
Non-verbal gestures in Samuel Beckett's plays.
by: Tan, Brenda Si Hua.
Published: (2013) -
Samuel Beckett’s teleplays : a series of better failures
by: Thio, Charmaine Ann
Published: (2014) -
"Alone together forever", hope in the desire for companionship in Samuel Beckett's plays
by: Khoirunnisaa Abdul Ja’afar
Published: (2015) -
Beyond imagination: an alternative cruelty in Samuel Beckett's drama
by: Chin, Eunice Shi Xian
Published: (2024)