Recreating Burmese cinema through travelling and tracing via deconstruction

The word "cinema" comes from the Greek word "kinema" which means "motion". The word "theory" too, comes from a Greek word "theoria" which means to "see the sights or to see something for yourself"(Walter 18). In this essay, we will look at...

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Main Author: Ma Ei Thandar Soe
Other Authors: Brian Keith Bergen-Aurand
Format: Final Year Project
Language:English
Published: 2013
Subjects:
Online Access:http://hdl.handle.net/10356/52221
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-522212019-12-10T11:38:30Z Recreating Burmese cinema through travelling and tracing via deconstruction Ma Ei Thandar Soe Brian Keith Bergen-Aurand School of Humanities and Social Sciences DRNTU::Humanities The word "cinema" comes from the Greek word "kinema" which means "motion". The word "theory" too, comes from a Greek word "theoria" which means to "see the sights or to see something for yourself"(Walter 18). In this essay, we will look at the mobility of Burmese cinema. To do so, we must first "theorise" Burmese cinema, look at how this cinema has captured the Burmese social, political, economical, artistic and cinematic movements and then expand out to see if this house of "motion" picture has been able to progress elsewhere outside of Burma. In principle, finding out if Burmese cinema has actually travelled. Bachelor of Arts 2013-04-25T05:20:40Z 2013-04-25T05:20:40Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/52221 en Nanyang Technological University 31 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities
spellingShingle DRNTU::Humanities
Ma Ei Thandar Soe
Recreating Burmese cinema through travelling and tracing via deconstruction
description The word "cinema" comes from the Greek word "kinema" which means "motion". The word "theory" too, comes from a Greek word "theoria" which means to "see the sights or to see something for yourself"(Walter 18). In this essay, we will look at the mobility of Burmese cinema. To do so, we must first "theorise" Burmese cinema, look at how this cinema has captured the Burmese social, political, economical, artistic and cinematic movements and then expand out to see if this house of "motion" picture has been able to progress elsewhere outside of Burma. In principle, finding out if Burmese cinema has actually travelled.
author2 Brian Keith Bergen-Aurand
author_facet Brian Keith Bergen-Aurand
Ma Ei Thandar Soe
format Final Year Project
author Ma Ei Thandar Soe
author_sort Ma Ei Thandar Soe
title Recreating Burmese cinema through travelling and tracing via deconstruction
title_short Recreating Burmese cinema through travelling and tracing via deconstruction
title_full Recreating Burmese cinema through travelling and tracing via deconstruction
title_fullStr Recreating Burmese cinema through travelling and tracing via deconstruction
title_full_unstemmed Recreating Burmese cinema through travelling and tracing via deconstruction
title_sort recreating burmese cinema through travelling and tracing via deconstruction
publishDate 2013
url http://hdl.handle.net/10356/52221
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