Rediscovering the past and reconstructing the future through literature, poetry and drama : identity crisis in Alfian Sa’at’s works.

The issue of a disjuncture between being Singaporean and being Malay is explored in Alfian Sa’at’s poetic and dramatic literature, and I will be looking at his poetry, namely “Jebat Slays the Dragon” and “Sang Nila by Moonlight” in One Fierce Hour (OFH), “Minority Report” in A History of Amnesia, an...

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Main Author: Zur Amira Aisha Mohammad Zainudin.
Other Authors: Wee Wan-Ling, Christopher Justin
Format: Final Year Project
Language:English
Published: 2013
Subjects:
Online Access:http://hdl.handle.net/10356/52225
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-522252019-12-10T13:17:25Z Rediscovering the past and reconstructing the future through literature, poetry and drama : identity crisis in Alfian Sa’at’s works. Zur Amira Aisha Mohammad Zainudin. Wee Wan-Ling, Christopher Justin School of Humanities and Social Sciences DRNTU::Humanities The issue of a disjuncture between being Singaporean and being Malay is explored in Alfian Sa’at’s poetic and dramatic literature, and I will be looking at his poetry, namely “Jebat Slays the Dragon” and “Sang Nila by Moonlight” in One Fierce Hour (OFH), “Minority Report” in A History of Amnesia, and his play sex.violence.blood.gore (s.v.b.g). In these works, Alfian wishes to discover a pluralistic and inclusive Malay identity that is independent, rather than one that is subjected to the overwhelming burdens of official history, specifically with regards to the history of Malays in Singapore. Nonetheless, discovering this pluralistic and inclusive Malay identity this does not mean merely revisiting the past and adopting old Malay customs, practices and traditions once more. I propose to examine how Alfian’s literature reflects the desire for a pluralistic Malay identity that is free from traditional notions of being Malay, breaking free from a pre-colonial romanticized notion of the past that existed during the Sultanate period, as well as rising from being downplayed in Singapore’s national narrative, and by extension, in Singapore’s cultural construction as well. This means that multiple identities – encompassing race, nationality, social status, class, and religion – can co-exist in one Malay identity, specifically the Malay-Singaporean/Singaporean-Malay. This will be the overarching argument of this essay, as I will argue and demonstrate how Singapore’s national narrative/official definitions perpetuates the disjuncture between being Malay and being Singaporean, which is reflected in Alfian’s literature. Bachelor of Arts 2013-04-25T05:43:07Z 2013-04-25T05:43:07Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/52225 en Nanyang Technological University 35 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities
spellingShingle DRNTU::Humanities
Zur Amira Aisha Mohammad Zainudin.
Rediscovering the past and reconstructing the future through literature, poetry and drama : identity crisis in Alfian Sa’at’s works.
description The issue of a disjuncture between being Singaporean and being Malay is explored in Alfian Sa’at’s poetic and dramatic literature, and I will be looking at his poetry, namely “Jebat Slays the Dragon” and “Sang Nila by Moonlight” in One Fierce Hour (OFH), “Minority Report” in A History of Amnesia, and his play sex.violence.blood.gore (s.v.b.g). In these works, Alfian wishes to discover a pluralistic and inclusive Malay identity that is independent, rather than one that is subjected to the overwhelming burdens of official history, specifically with regards to the history of Malays in Singapore. Nonetheless, discovering this pluralistic and inclusive Malay identity this does not mean merely revisiting the past and adopting old Malay customs, practices and traditions once more. I propose to examine how Alfian’s literature reflects the desire for a pluralistic Malay identity that is free from traditional notions of being Malay, breaking free from a pre-colonial romanticized notion of the past that existed during the Sultanate period, as well as rising from being downplayed in Singapore’s national narrative, and by extension, in Singapore’s cultural construction as well. This means that multiple identities – encompassing race, nationality, social status, class, and religion – can co-exist in one Malay identity, specifically the Malay-Singaporean/Singaporean-Malay. This will be the overarching argument of this essay, as I will argue and demonstrate how Singapore’s national narrative/official definitions perpetuates the disjuncture between being Malay and being Singaporean, which is reflected in Alfian’s literature.
author2 Wee Wan-Ling, Christopher Justin
author_facet Wee Wan-Ling, Christopher Justin
Zur Amira Aisha Mohammad Zainudin.
format Final Year Project
author Zur Amira Aisha Mohammad Zainudin.
author_sort Zur Amira Aisha Mohammad Zainudin.
title Rediscovering the past and reconstructing the future through literature, poetry and drama : identity crisis in Alfian Sa’at’s works.
title_short Rediscovering the past and reconstructing the future through literature, poetry and drama : identity crisis in Alfian Sa’at’s works.
title_full Rediscovering the past and reconstructing the future through literature, poetry and drama : identity crisis in Alfian Sa’at’s works.
title_fullStr Rediscovering the past and reconstructing the future through literature, poetry and drama : identity crisis in Alfian Sa’at’s works.
title_full_unstemmed Rediscovering the past and reconstructing the future through literature, poetry and drama : identity crisis in Alfian Sa’at’s works.
title_sort rediscovering the past and reconstructing the future through literature, poetry and drama : identity crisis in alfian sa’at’s works.
publishDate 2013
url http://hdl.handle.net/10356/52225
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